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A Good Dalek (Episode)

Review of Into the Dalek
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

If you’d told me a month ago that one of the episodes of this series would be The Invisible Enemy meets Dalek, I’d have been, shall we say, dubious at best. Yet that’s what we got in Into the Dalek, and I have to say I think it worked.

The very fact that I’m willing to mention this episode in the same breath with Dalek, a personal favorite from the post-Hiatus era, tells you something about how much I enjoyed it. Granted, is was not completely flawless (though to be honest, I doubt such a beast exists), but it was, for me, certainly one of the best since Moffat took over as showrunner.

Yet while the main conceit of the episode—literally getting inside a Dalek’s head—is new and therefore interesting, it was not, in fact, the driving force of the story. Instead, it’s a character piece.

Most of the character development is for our new Doctor. We the audience are still getting to know him (as is Clara and, let’s be honest, he is himself), so this is important stuff for us to see. And I was fascinated to realize both that I like Twelve less than I did in his debut, and that I find him an infinitely more interesting character than most of his predecessors. This distinction is important to me, so let me put it another way to be sure I’m making myself clear: this Doctor is not nice, but I adore him.

Exhale

Review of Deep Breath
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

The new Doctor has officially arrived, and I can release the anticipatory breath. My biggest fear was that Capaldi would not live up to all my expectations. That one, at least, I can put to rest.

As for the remainder of the episode… Well, let’s just say the more things change, the more they stay the same.

It’s a series opener, so we all knew before the list of titles, writers, and directors was released that this was going to be a Moffat story. I had my fingers crossed, but it came out true to form. On my first viewing, I really enjoyed it; certain details niggled at me, but I was able to ignore them and enjoy the ride. On second and later viewings, the flaws started to do more than niggle, and it became ever more difficult to enjoy certain scenes. That, for me, is the classic Moffat signature.

Before I go any further, let me be clear: I thought Capaldi’s Twelve was bloody brilliant. I love him already. He was everything I hoped for (with the possible exception of some overly friendly chatting up of a lonely female T. rex), and I can’t wait to see more of him.

Clara, however, was a mixed bag for me. On the one hand, she really stepped up her game, executing a very Doctor-ly bluff-calling when set against the Half-Face Man (more on that later) and standing up to Vastra. On the other, she—the Impossible Girl, who had saved the Doctor time and again in his many incarnations—couldn’t get over the fact that he wasn’t the same man anymore. On the whole, I think she came out net positive for me (her improvements outweighing the backsliding), and I’m hoping she continues to grow into a character I could miss.

Turn Turn Turn

Review of Seasons of Fear (#30)
Big Finish Release Date: March 2002
Doctor/Companion: Eight, Charlotte “Charley” Pollard
Stars: Paul McGann, India Fisher
Preceding Story: The Chimes of Midnight (Eight, Charley)
Succeeding Story: Embrace the Darkness (Eight, Charley)

I’m not familiar with many of Paul Cornell’s stories, but Father’s Day and Human Nature / The Family of Blood are both interesting and nicely self-consistent narratives. Knowing that Cornell wrote this story with his wife Caroline Symcox therefore gave me an optimistic outlook.

But despite the fact that it began with a direct continuation of the longer plotline centering on Charley’s experiences—the impetus behind the choice of audios I’m currently consuming and reviewing—I was immediately put off by a stylistic decision by the writers. Rather than the usual “film with sound” format I’m accustomed to for an audio drama, we get a voiceover. The Doctor is narrating the events in retrospect, telling us about the first time he met a character who becomes integral to the plot of the entire play.

Although the reason for this approach becomes clear some two hours later, at the end of the story, I personally found it distracting. I’d be rolling along with the narrative as the Doctor and Charley grappled with whatever setback currently faced them, and the Doctor’s voice would roll in with exposition. It pulled me out of the story every time.

Chills at All Hours

Review of The Chimes of Midnight (#29)
Big Finish Release Date: February 2002
Doctor/Companion: Eight, Charlotte “Charley” Pollard
Stars: Paul McGann, India Fisher
Preceding Story: Invaders from Mars (Eight, Charley)
Succeeding Story: Seasons of Fear (Eight, Charley)

There’s something deceptively luxe about an audio drama. Because all the visuals happen in your own head, the production values are higher than anything one could ever hope to see on screen. It’s like the intersection between reading a fabulous book and watching a fantastic film.

The more Big Finish (BF) audios I listen to, the more I love the format. In part, it’s undoubtedly because I’ve taken recommendations and chosen some of the better adventures available, but I suspect that the quality doesn’t vary as drastically in this medium as with television. Those with broader audio experience can correct me if I’m wrong, but I’d be surprised to learn there was a BF equivalent of, say, Timelash that gets almost universally panned.

A review of a BF audio, then, comes down almost entirely to story. Certainly if there were a voice actor that grated on the nerves for some reason, that might be something to mention, but for the most part, all I can think to critique for my readers’ edification is the plot. Spoilerphobe that I am, this fact leaves me in a bit of a predicament.

Launching a New Chapter

Review of Storm Warning (#16)
Big Finish Release Date: January 2001
Doctor/Companion: Eight, Charlotte “Charley” Pollard
Stars: Paul McGann, India Fisher
Preceding Story: The Mutant Phase (Five, Nyssa)
Succeeding Story: Sword of Orion (Eight, Charley)

Welcome to my new series of reviews! As of today, I’m officially adding Big Finish audio adventures to my repertoire. Bowing to the will of reader poll voters and using the advice of friend and podcaster Paul Greaves, I’m starting with Eighth Doctor Paul McGann’s first foray into audio.

I’ve heard Paul say, when asked, that he started fresh with his characterization of the Doctor when he began audio work. He’d not really had a chance to develop Eight much in The Movie, so it makes sense he’d jump at the chance to explore the character further. Every once in a while, I could hear a tinge of the Doctor of the TVM here, but for the most part, I have to concur that Eight is a “new man” on audio, and it’s a man I quite adore.

You may remember from my previous post about Big Finish that I’ve heard a few adventures before (most of the four series of Eighth Doctor Adventures, Dark Eyes (the first set; the second still awaits its turn in the earphones), and two or three individual stories with other Doctors). I’d also managed to get my paws on Storm Warning before—though it’s been a couple of years—so as I listened this time, I mostly knew what was coming.

Over the Moon

Review of The Moonbase (#33)
DVD Release Date: 11 Feb 14
Original Air Date: 11 Feb – 04 Mar 1967
Doctor/Companion: Two, Ben Jackson, Polly Wright, Jamie McCrimmon
Stars: Patrick Troughton, Michael Craze, Anneke Wills, Frazer Hines
Preceding Story: The Underwater Menace (Two, Ben, Polly, Jamie)
Succeeding Story: The Macra Terror (Two, Ben, Polly, Jamie)

I’m rather behind the curve on this one. Not only was the Region 1 release three weeks later than the Region 2 release (as has often been the case), but it also fell on the day before I left for this year’s Gally. So I’m afraid I’m not exactly at the cutting edge here, but perhaps not all of my readers were in a rush anyway.

For completionist fans like me, this isn’t precisely a new release. Though two of the four episodes are still missing, the existing ones have been available for quite some time as part of the Lost in Time box set, so I’ve actually seen half of the serial before. However, the addition of the animated reconstructions makes a big difference.

There’s a great deal to be said for the black and white era when it comes to tone. Something about it transcends the dated effects and lends an extra sense of tension to all the scary bits. To say such episodes are “atmospheric” might be cliché, but it doesn’t make it less true.

That Turkey Never Did Quite Get Cooked

Review of The Time of the Doctor
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I suppose my expectations finally sank to the cellar when the first “nude Doctor” promo pics hit the Web. You’d think there would be no room left for crushed hopes after that, but apparently you’d be mistaken. It seems I had an iota of optimism left that Moffat could tie shit together coherently—I really ought to know better.

Usually I enjoy Moffat’s episodes in the moment; it’s not till later when I have time to think about the plot that I realize how riddled it is with holes and other offenses. Most times he manages to catch me up in the emotion of each scene (which is, after all, his strong suit) and I can take an episode as it was intended on that first viewing.

Not this time.

Maybe it had something to do with all of the interruptions (mine were familial rather than commercial, but I’m sure the effect was much the same for those who watched on BBCA). Or maybe it was the painful running “gag” about nudity (which just… No.). At any rate, from the very first chirping tones of the message—the Question—and the Mother Superious’s droning voiceover, I was a detached observer, uninvested (at least in a good way) in the proceedings. I was pissed at Clara for not listening when the Doctor said he was in danger, I was pissed at the Doctor for blatantly ignoring human social mores (with which he is damn well familiar), and I was pissed with Moffat for thinking that “for kids” and “juvenile” were interchangeable.

The First Finale

Review of The Tenth Planet (#29)
DVD Release Date: 19 Nov 13
Original Air Date: 08 – 29 Oct 1966
Doctor/Companion: One, Ben Jackson, Polly Wright
Stars: William Hartnell, Michael Craze, Anneke Wills
Preceding Story: The Smugglers (One, Ben, Polly)
Succeeding Story: The Power of the Daleks (Two, Ben, Polly)

With all the focus on regenerations and the history of the show lately, it seems fitting that the DVD releases for the anniversary year should draw to a close with The Tenth Planet. Not only does it bring Hartnell’s era to a close with a radical new idea, but it also introduces the “always a bridesmaid, never a bride” baddie from every fan favorite list ever (in case it’s not clear, I’m referring here to the Cybermen, who always come second (or worse) to the Daleks).

Tenth Planet is one of the last (mostly) complete stories to be released on DVD. Although I had read the synopsis a few times, and read a photonovelization at least once, then, I’d never had the opportunity to watch it. As a result, it still felt new and unfamiliar. And I’ll admit I was taken off guard by these Cybermen.

Forty-seven years down the road, it’s difficult to put oneself in the mindset of the audience of the time. They must have found this new threat truly horrific, these once-human, but distinctly alien, robot invaders. On the brink of the Space Age, they must also have recognized many of their own fears about the dangers of space exploration as the plight of the Zeus IV crew unfolded. (I’ll admit that I didn’t much care to watch their fate, either, despite how cheaply inaccurate the portrayal looked to those of us who have watched actual astronauts at work on the International Space Station.)

First Fifty’s Final Face

Review of The Doctors Revisited – Eleventh Doctor

As we wind down the year, anticipating the upcoming regeneration, we Revisit Matt Smith’s Eleventh Doctor. Since his reign is only current until Christmas, it’s not as premature to do a retrospective on his era as it felt when this series of specials was announced.

I did, however, find it odd that the production team chose to throw out spoilers for the entire arc of Series Six left and right—and for the mid-series finale of S7, too—yet barely breathed a word about anything to do with the second half of S7 except Clara’s personality and relationship with the Doctor.

I realize they had to be careful, if all of these specials were filmed at the same time; not even The Snowmen would’ve aired yet when everyone was interviewed. (And while I’m on the topic, here’s the list: lead actors Matt Smith, Karen Gillan, Arthur Darvill, and Jenna Coleman; supporting actors Mark Sheppard, Frances Barber, Hugh Bonneville, and Mike McShane; writer Tom McRae; producer Marcus Wilson; and show-runner Steven Moffat.) So long after the fact, though (remember that The Name of the Doctor aired way back in May), it provides a certain surreality to the episode, like time traveling back a year, when we had no idea what was coming with Clara’s Series Seven storyline.

The rest of the special feels, for a fan like me, like redundant rehashing of obvious traits of the Eleventh Doctor, his Companions, and their stories. More so than the rest of the installments, even. Much like last month, it may be down to how recent all of this is, so I’ve tried to take it in context.

Retcon of the Doctor

Review of The Day of the Doctor
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I said recently that I could forgive Moffat almost anything about this anniversary special; I knew not everything on my personal wishlist would make the cut. And as it turned out, plenty I’d have liked to see happen didn’t. Overall, though, there wasn’t much to forgive.

From the get-go, there were plenty of nods to the past. Starting with the original opening credits—down to the policeman strolling by Totter’s Lane—certainly set the right tone. I could go on for pages listing all those little moments, but I’m sure someone else will write up a definitive list you can find, if that’s your cup of tea. I’ll just say that I personally loved the reference to the UNIT dating controversy and one of the Brigadier’s reactions to the events of The Three Doctors (“Codename: Cromer”—and I really do recommend watching that tenth anniversary special if you’ve not seen it.)

So much happened in these seventy-five minutes that it could be a little difficult to wrap one’s brain around it all on a single viewing; I agree with others who have commented that it’s all clearer the second time around. The things I liked the first time, I still liked, and the things I didn’t… well, they didn’t irritate me quite so much when I knew they were coming.

The entire Zygon gambit felt secondary—and honestly, I quite think it was there simply as a way for the meeting of these three Doctors not to be boring as all get-out—but made surprising sense by the end. It was at least self-consistent, which is more than I can say for some episodes. The entire idea of the Zygons is great, too; they’re a well-loved adversary that was long overdue a return. As executed, they were proper scary, even if the change from human back to Zygon form was too CGI to be believable. At least it was gross.