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Feel the Power

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Review of Power of the Daleks (#30)
DVD Release Date: 24 Jan 17 [Region 1]
Original Air Date: 05 Nov – 10 Dec 1966
Doctor/Companion: Two, Ben Jackson, and Polly Wright
Stars: Patrick Troughton, Michael Craze, Anneke Wills
Preceding Story: The Tenth Planet (Two, Ben, Polly)
Succeeding Story: The Highlanders (Two, Ben, Polly, Jamie)

Although we’ve had some brilliant windfalls in recent years in terms of recovered “lost” episodes of Doctor Who, there are plenty that are still missing in their entirety. Perhaps the most famous/famously sought-after is Marco Polo, but Patrick Troughton’s first serial Power of the Daleks is also high on many peoples’ lists.

Perhaps that is the reason that BBC Worldwide took the unusual step of animating all six episodes of Power. While they have previously commissioned animations for missing episodes of stories that are incomplete in the archives, this is (correct me if I’m wrong) the first story to be reconstructed in its entirety with no surviving visual material but a few minutes of clips and stills.

Although the animated reconstruction was released on the BBC Store last November (fifty years to the minute from the original broadcast of its opening episode), a physical version (DVD, rather than digital download or BBC America broadcast) was not made available in the US until late January. Being the obsessive collector I am (and refusing to pay for it twice), I therefore didn’t get to see it until just recently.

The story begins with the first-ever regeneration. As a fan fifty years out, it feels oddly portentous watching that moment, even animated (though I still find the original surviving footage more moving). Troughton’s skill and the lampshading of the wildly radical concept of the lead character’s complete change of not only body but personality through the Companions’ reactions to him paved the way for everything that followed.

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A Mysterious Plan

Review of The Mysterious Planet (#143a)
DVD Release Date: 10 Oct 08
Original Air Date: 06 – 27 Sep 1986
Doctor/Companion: Six, Perpugilliam “Peri” Brown
Stars: Colin Baker, Nicola Bryant
Preceding Story: Revelation of the Daleks (Six, Peri)
Succeeding Story: Mindwarp (Six, Peri)

Today I start a new review series, with an arc I’ve long avoided here. The Trial of a Time Lord (ToaTL) is, depending on who you ask, either a season-long, fourteen-part story or four, two- or four-part stories connected into a season arc. It comprises approximately half of the Sixth Doctors televised tenure in the role, and thus looms larger in my mental landscape than perhaps it should.

So because my reviews over the years have been particularly shy of Sixth Doctor adventures (at least the televised ones), I decided I’d finally tackle ToaTL for the first part of 2017 (with a Dalek breakaway—see what I did there?—for Power in February) before Series Ten begins.

As we begin this season, then, we see the TARDIS being pulled into a large structure in space, and the Doctor steps out—alone—into a darkened hallway. The room he enters is also darkened until, with some vaguely ominous words, someone eventually identified as “the Valeyard”—the person who is to become his major adversary over the coming episodes—reveals that they are in a Time Lord courtroom.

The Doctor is the subject of a hearing to determine whether or not he is truly guilty of “conduct unbecoming of a Time Lord.” As part of his protest, the Doctor claims he can’t be put on trial because he’s Lord President of Gallifrey (Oh, Doctor… You sound unpleasantly like the new POTUS…), but is told that as a result of his neglect for his duties, he’s been deposed.

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Just a Sprinkle of Humbug

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Review of The Return of Doctor Mysterio
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

Ah, the annual Christmas Special… That sixty-minute episode that tries to be all things to all people, but most especially to those who never watch Doctor Who except this once a year. No wonder Moffat chooses Christmas as the time to trot out his most gimmicky ideas.


Source – bbc.co.uk – © 2016 BBC

Having already exploited Santa Claus/Father Christmas two years ago (and included a nod to Sherlock Holmes (and thus his own work on Sherlock) in 2012), Moffat needed a new cultural icon to shoehorn into his annual holiday offering. Since there would undoubtedly be copyright issues with something like Lord of the Rings or Star Wars, it seems he decided it was instead time to cash in on the recent resurgent popularity of superheroes—thus we end up with “Doctor Who Does Superman” this year.

Not that a fluffy superhero “romp” is entirely unsuited to the situation. The trope is easily relatable to a casual viewer, who thereby doesn’t have to know anything about the show at all to understand the premise of the episode. I’m not a huge fan of this type of genre crossover, but I thought the conceit by which young Grant gained his superpowers was sufficiently Doctor-y and believable in-universe. (“Take this,” the Doctor tells 8-year-old Grant, handing him a gemstone to hold with what, in retrospect, turns out to have been a particularly unfortunate choice of words.)

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Out Like Apathy

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Review of The Leisure Hive (#109)
DVD Release Date: 07 Jun 05 (Out of Print)
Original Air Date: 30 Aug – 20 Sep 1980
Doctor/Companion: Four, Romana II, K-9
Stars: Tom Baker, Lalla Ward, John Leeson
Preceding Story: The Horns of Nimon (Four, Romana I, K-9)
Succeeding Story: Meglos (Four, Romana II)

It’s the beginning of the end for the Fourth Doctor, as he takes one final victory lap around the universe before handing over the keys of the TARDIS to a younger, blonder version of himself. By this point the Four/Romana II team functions like a well-serviced TARDIS, comfortable with each others’ foibles and confident in each others’ roles in the partnership as much as their own.

As usual, I find Romana’s quiet competence to be one of the highlights of the story. The Doctor is mostly watchable as well, since Baker has yet to decide he’s So Done With the role, though the spring is certainly gone from his step. The guest cast also performs well—only as campy as the script requires.

The script, though… Well, it could be worse. In fact, I remembered it as being worse before I re-watched it for this review. But it’s certainly not a shining star in the oeuvre, either. Remembering that this is the season opener makes the director’s choice of spending nearly a full minute on an establishing shot panning across an Earth beach scene (Brighton) feel even more questionable; why would you think that would entice your audience to stick around for more?

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Beginning of the End

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Review of Destiny of the Daleks (#104)
DVD Release Date: 04 Mar 08
Original Air Date: 01 – 22 Sep 1979
Doctor/Companion: Four, Romana II
Stars: Tom Baker, Lalla Ward
Preceding Story: The Armageddon Factor (Four, Romana I, K-9)
Succeeding Story: City of Death (Four, Romana II)

By the time Season 17 rolled around in late 1979, Tom Baker had been in the role of the Doctor for nearly five years and was beginning his sixth and penultimate season. His Companion Romana, having been shunted back into the more traditional “either scream or listen attentively as the Doctor talks” role from the “intellectual equal and foil to the Doctor” originally advertised, lost her appeal for actress Mary Tamm. The production team apparently felt there was still plenty of story left in the character, though, as they decided to make use of the fact that Romana is a Time Lord (or Time Lady, depending on who is speaking and when) to allow her to stay on with a different actress in the role.

Thus we open the season with one of the most famous scenes in Lalla Ward’s on-screen stint as Romana (usually referred to as Romana II, to distinguish her from Tamm’s depiction, Romana I): her regeneration. Contrary to the way we have always seen the Doctor regenerate—only under duress/when his current body gives up, and with no choice in the outcome—Romana has apparently decided to regenerate for kicks and grins, trying on new bodies much as the Doctor tried out harlequin or Viking outfits. Thus the writers lampshade the fact that yes, we just saw Lalla Ward as a different character at the end of last season; she’s Romana now.

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Operation Brain Candy

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Review of The Ribos Operation (#98)
DVD Release Date: 03 Mar 09
Original Air Date: 02 – 23 Sep 1978
Doctor/Companion: Four, Romana I
Stars: Tom Baker, Mary Tamm
Preceding Story: The Invasion of Time (Four, Leela)
Succeeding Story: The Pirate Planet (Four, Romana I)

Of all of Tom Baker’s season openers, I think The Ribos Operation has to be my favorite (though Terror of the Zygons is strong, too). There are any number of details that contribute to my affection for this particular story, and I’ll try to outline some of them below, but it probably doesn’t hurt that it’s the first installment of a series-long arc—the first ever.

Having cut my Whovian teeth on the modern era, a full series story arc seemed natural to me in my early fandom days. I knew when I started watching pre-Hiatus/Classic Who that the traditional style was serialized one-offs, so it’s not that I found that format unusual or off-putting. However, when I got to Season 16 (also collectively known as The Key to Time), the familiarity of a longer arc felt comfortable and made it easy for me to settle in for the long haul.

The early minutes of the first episode are thus necessarily spent setting up the whole season. We are introduced to the White Guardian, who takes the Doctor and his TARDIS out of time and charges him with recovering the six segments of the Key to Time in order to restore order to the universe. We also meet the new “assistant” with whom said Guardian has saddled the Doctor: Romanadvoratrelundar. This young (though mature, at “nearly 140”) Time Lady is quickly established as the intellectual equal (if not superior) of the Doctor, having graduated with a “triple first” from the Time Lord Academy (and looking down her nose at the Doctor for “scraping through with 51% at the second attempt”).

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An Air of Casual Horror

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Review of Horror of Fang Rock (#92)
DVD Release Date: 04 May 10
Original Air Date: 03 – 24 Sep 1977
Doctor/Companion: Four, Leela
Stars: Tom Baker, Louise Jameson
Preceding Story: The Talons of Weng-Chiang (Four, Leela)
Succeeding Story: The Invisible Enemy (Four, Leela, K-9)

By the opening of his fourth season (Season 15), Tom Baker was well entrenched in his role as the Doctor. The Fourth Doctor’s first two Companions (Sarah Jane Smith and Harry Sullivan) had left him nearly one and two years before, respectively (The Hand of Fear, Sarah Jane’s final story, aired in October 1976; Harry left the TARDIS at the end of Terror of the Zygons in September 1975), and for the second half of Season 14 he had been traveling with his latest Companion Leela.

One could thus reasonably expect Horror of Fang Rock to be rather standard fare—par for the course, as it were. In some ways it is (it’s got some quintessential Who-y elements), but it others it is superior (especially compared to the rest of the season, which has several unfortunately weak stories). I have not watched Fang Rock as often as many other serials, and I was pleasantly surprised at how much more enjoyable I found it than I’d remembered.

Of particular note was the relationship between the Doctor and Leela. It is commonly known that Baker was rather nasty to his co-star Louise Jameson while they were working together (though they have since smoothed things over, and I’ve heard Jameson herself say that they are great friends now); however, whatever was going on behind the scenes doesn’t appear to have bled over onto the screen (at least not in a way that is out of character). Granted, there is still tension between the Doctor and Leela about her being a “savage,” but it has become somewhat more of an old saw or inside joke between them. The characters obviously respect and depend on each other as well as caring about each other a great deal.

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The Beauty Beneath the Masque

Review of The Masque of Mandragora (#85)
DVD Release Date: 04 May 10
Original Air Date: 04 – 25 Sep 1976
Doctor/Companion: Four, Sarah Jane Smith
Stars: Tom Baker, Elisabeth Sladen
Preceding Story: The Seeds of Doom (Four, Sarah Jane)
Succeeding Story: The Hand of Fear (Four, Sarah Jane)

Last month I started my new series of reviews of Tom Baker’s season openers with his inaugural adventure Robot. His second season started with Terror of the Zygons, but as mentioned last month, I’ve already reviewed it. Therefore, I’m moving on to the Fourth Doctor’s third season, which begins with The Masque of Mandragora.

By this point, Lis Sladen had been in the role of Sarah Jane Smith (SJS) for three years, and Baker had been portraying the Doctor for two. They are so wonderfully comfortable with both their own characters and each other, they make for fabulous, cozy watching.

It was also the third and final season of the Hinchcliffe-Holmes era, so often touted as the “golden age” of Doctor Who. Sladen would leave at the end of the following story and the second half of the season would see Baker unwillingly paired with another Companion (it’s well known that he was rather horrible to Louise Jameson during her time as Leela, though by all accounts they are fast friends now). As Season 14 opens, though, Baker is clearly at the height of his powers and happy as a clam.

The story opens with SJS and the Doctor wandering the halls of the TARDIS, apparently just for kicks. They happen across a secondary control room, wood-paneled and covered with dust after long disuse. (It was used as the primary for most stories in the following year-and-a-bit.) From here they discover they are being drawn to a strange place by the Mandragora Helix before escaping and ending up in 15th-century Italy.

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Changing of the Guard

Review of Robot (#75)
DVD Release Date: 14 Aug 07 (Out of Print)
Original Air Date: 28 Dec 1974 – 18 Jan 1975
Doctor/Companion: Four, Sarah Jane Smith, Harry Sullivan
Stars: Tom Baker, Elisabeth Sladen, Ian Marter
Preceding Story: Planet of the Spiders (Three, Sarah Jane)
Succeeding Story: The Ark in Space (Four, Sarah Jane, Harry)

Having completed an overview of Cybermen stories in the last few months, I felt it was time to switch to another theme. The question, of course, was what theme to pursue? By percentage of (extant) stories, the Fourth Doctor is still my least-reviewed incarnation. Therefore I thought something focusing on his tenure would be appropriate.

I had two ideas of how to cover Four’s time in the TARDIS: deep or broad. I could delve into one particular season (The Key to Time, which was the first season-long story arc) or I could find a way to choose stories distributed across the entire seven-year run.

Eventually I settled on the latter, with the idea that the first story of each season would provide a simple selection criterion. Four of those seven season openers have never been reviewed either directly or with Nu-/Retro-Views. Two (Robot and The Ribos Operation) were the subject of a Retro-View several years ago (Nov 2012 and Apr 2013, respectively), so are due another look-in. The final story in question (Terror of the Zygons) has already been reviewed in full when the DVD came out in Oct 2013. Further, the story that immediately preceded it, Revenge of the Cybermen, was reviewed just three months ago as part of my Cyber-series. Therefore, I’ve decided to skip that period (end of Season 12/beginning of Season 13) in my retrospective.

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The Monsters Behind the Curtain

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Review of The Invasion (#46)
DVD Release Date: 06 Mar 07 (Out of Print)
Original Air Date: 02 Nov – 21 Dec 1968
Doctor/Companion: Two, Jamie McCrimmon, Zoë Heriot
Stars: Patrick Troughton, Fraser Hines, Wendy Padbury
Preceding Story: The Mind Robber (Two, Jamie, Zoë)
Succeeding Story: The Krotons (Two, Jamie, Zoë)

My decision to review The Underwater Menace last time was not in the original plan for the year, but it turns out to have made for a nice segue into this month’s installment in my continuing series. Having just refamiliarized ourselves with the Second Doctor, we can now watch him in action against the Cybermen.

Many fans may be more familiar with Troughton’s clash with this enemy on their native Telos in The Tomb of the Cybermen, but that doesn’t mean this final encounter (of his four) is unworthy of fans’ time. Although it runs twice as long as Tomb, at eight episodes rather than four, there are qualities of the story that, for me at least, make the investment worthwhile.

To be clear, two episodes of The Invasion are still missing from the archives. However, in this release those missing episodes (numbers One and Four) have been animated by Cosgrove Hall, the same studio responsible for Scream of the Shalka. As someone who struggles with audio-only versions (as with the missing episodes of Menace, discussed last time), I really loved these animations. While I don’t know whether director Douglas Camfield left any camera notes nor whether any such notes were consulted in the animated reconstructions, these episodes don’t feel (to my untrained eye) out of place.

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