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Much Ado About Nothing

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Review of The Wedding of River Song
Warning:  This review contains episode-specific spoilers and wild speculation about future episodes.


Source – bbc.co.uk – © 2011 BBC

While I will admit that I rather enjoyed (most of) the Series Six finale, and there were plenty of moments that felt epic, when you stop and think about it for a while, not much really got resolved. Moffat is a master at smoke-and-mirrors scriptwriting, like last year when the universe got “rebooted,” yet we didn’t learn anything about why the TARDIS blew up in the first place. In fact, we still don’t know the answer to that particular little puzzle.

Now we do have the answers to a couple of big questions: no, the Doctor didn’t really die on that beach (was anyone surprised by that?); and yes, River Song is his wife. Sort of. Actually, that wasn’t clearly answered, either, thank-you-very-much. I can’t imagine the Doctor actually taking that kind of thing seriously (especially since it was clearly used as a device to gain River’s cooperation). Perhaps that’s why they did a handfasting ceremony instead of an actual wedding. Are they really “married”? How binding/lasting is a handfast marriage? How did the Time Lords (does the Doctor) view such an interpersonal contract? Frankly, I was terribly disappointed to see these two get “married”; not only does it go counter to how I think of the Doctor, but it made River’s story overly predictable (“Of course she’s the Doctor’s wife! What else could she possibly be to him?” Yuck.). My own personal canon will look on this as a non-binding contract-of-convenience, and leave it at that.

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“Closing” in on the Reveal

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Review of Closing Time
Warning:  This review contains episode-specific spoilers and wild speculation about future episodes.

On the surface, Closing Time is a light-hearted, family-oriented romp leading us into the series finale. I, for one, don’t believe it. I think it’s highly unlikely that the production team would use something so utterly fluffy to head into the final stretch of the series, especially with all the portents of doom we’ve been getting since The Impossible Astronaut aired back in April.


Source – bbc.co.uk – © 2011 BBC

It doesn’t even take very thorough digging to see there’s way more than the top-layer story here. The whole thing is very “meta.” Here are just a few examples of how it references previous episodes:

  • Opening: much like Rose, the shop girls close up, then find danger in a dark part of the shop.
  • The Doctor visiting Craig: “Doctor’s Reward,” anyone?
  • Another baby: could there be any more babies (or kids) in this series? (Will the Doctor’s cot reappear next week, or next series?)
  • “Stop noticing; just go”: did he learn nothing from Bowie Base One?
  • “You always win! You always survive!”: Obviously, this references the fans’ view of the Doctor. The lovely, not-quite-weepy expression of the Doctor’s reaction is supposed to help convince us that’s not going to happen again this time. (Sorry, Mr. Moffat; protest all you like, but no one’s buying it.)
  • “He needs someone”: Donna told him so. But did he listen? Noooooo. And where did it get him? Hello, Eleven!
  • “Oh, please. Just give me this.”: Seems we’ve heard this somewhere before…
  • Impossible Astronaut continuity: he nicks the blue envelopes from Sophie and gets a Stetson from Craig.
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Labyrinthine Clues

Review of The God Complex
Warning:  This review contains episode-specific spoilers and wild speculation about future episodes.

Perhaps it’s the fact that it was originally intended to be part of Series 5 instead of Series 6, but for some reason The God Complex has had a whole lot of hype. All sorts of superlatives were used, and somehow it was supposed to be something to which we all really looked forward. Having seen it, I can’t say that I didn’t enjoy the episode, but it certainly wasn’t All That. To begin, there were some important ways in which it was quite derivative.

It's OK; we're nice!
Source – bbc.co.uk – © 2011 BBC

I had really mixed feelings, for example, about Rita. Overall, I loved her (nearly as much as the Doctor did), but you really know from the get-go that we’re not taking on a new Companion (even if poor Amy doesn’t when the Doctor pretends to “fire” her). Which, of course, means she’s another Astrid Peth – perfect Companion material doomed to die heroically/horribly. Personally, I’d rather not invest emotional capital where the investment is sure to fail. That makes it hard to engage as fully in the episode as it might deserve.

More blatantly, though, it takes a page straight out of The Curse of Fenric. The climactic scene with Amy is a perfect rehash of how the Doctor has to ruin poor Ace’s faith in him in the earlier story, and for effectively the same reason (though it’s actually done much more gently here). Although I do like the way it sort of references the previous episode by turning Amy Pond: the Girl Who Waited into Amy Williams: the Girl Who Stopped Waiting, there’s no hiding the fact that the major plot point came straight out of Fenric.

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Like Night and Day

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Review of Day of the Daleks (#60)
DVD Release Date:  13 Sep 11
Original Air Date:  01 – 22 Jan 1972
Doctor/Companion:  Three, Jo Grant
Stars:  Jon Pertwee, Katy Manning
Preceding Story:  The Dæmons (Three, Jo)
Succeeding Story:  The Curse of Peladon (Three, Jo)

To start Three’s third season, the production team was looking for some sort of hook to draw in viewers. The resulting story became the first of Three’s encounters with the Daleks, who returned after a nearly five-year absence (about half the show’s run, at that point). The viewing public loved it (more than 10 million people watched), and yet it’s often had a bad rap since for its less-than-stellar execution. Enter the DVD era.

If ever there was an embodiment of a fan’s obsessive love for this show, it’s the Special Edition of Day of the Daleks. Aside from a plethora of good extras, there’s an entirely separate version of the story to watch, with updated effects and even new footage spliced seamlessly into the original material (SE). Unless you’re the type of person who really enjoys the ambience and historical context of bad production values, I really recommend starting with the SE (disk 2). However, if you don’t watch any of the original (disk 1), you’ll never appreciate just how much it has been improved (I recommend episodes 2 and 4 for comparison, or just episode 4, if you want to whittle it down to the bare minimum).

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Kicking Ass and Waiting Games

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Review of The Girl Who Waited
Warning:  This review contains episode-specific spoilers and wild speculation about future episodes.


Source – bbc.co.uk – © 2011 BBC

With a few jarring-moment exceptions, I was able to enjoy this episode as it was intended – an emotional look into Amy’s character and into her relationship with Rory (again). It starts out very contrived, with Amy and Rory both breaking Rule Number Whatever: Don’t Wander Off and making some dumb moves (e.g., telling Amy to “push the button” instead of specifying, or not asking Rory in return, “which one, idiot?”). Then we get the somewhat ridiculous excuse to strand the Doctor in the TARDIS (“Germ 7” is loose, and only affects two-hearted species? That’s the best you’ve got?) so that they can shoot Doctor and Companion material separately a la “The Lodger” (they even go so far as to have a TARDIS-to-planet comm link in the same way).

Once the crew officially splits up, though (and why is Amy so sanguine about letting them fly off to “rescue” her, knowing the vagaries of the TARDIS?), everything steps up a notch. Along with the handbots becoming increasingly creepy and unintentionally (on their part) threatening, we get a few humorous moments as Amy gets oriented (like the available ride “authentically modeled on the famous Warp Speed Death Ride at Disneyland-Clom“), and the beautiful scenery of the Gardens to ease us into the main story.

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This Is the Home That George Built

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Review of Night Terrors
Warning:  This review contains episode-specific spoilers and wild speculation about future episodes.


Source – bbc.co.uk – © 2011 BBC

I’m not a fan of the horror genre, and last week’s trailer did not inspire me. Further, given that Mark Gatiss’s scripts have been very hit-or-miss for me (loved The Unquiet Dead, was so-so about The Idiot’s Lantern, and abhorred Victory of the Daleks), I was rather apprehensive about what all that boded for the quality of Night Terrors. Although it wasn’t my all-time favorite, it was much better than I’d allowed myself to expect.

I think perhaps I am the target market for the level of horror the Doctor Who team aims to maintain. In other words, I can handle about as much as the average eight-year-old. A little tension is good, but more than the predictable “boo!” moment upon opening a door, drawer, or what-have-you makes me too uncomfortable to watch. Thus, the horror factor in Night Terrors was just about perfect for me. Nothing truly unpredictable ever came of one of those instances, and the scene in which the landlord succumbs was just oogy enough to give me the creeps. (I had a moment of cognitive dissonance there, too – I first thought the shot of his hand morphing was Rory’s going all Auton on us again. That didn’t make sense, but the visual similarity was striking.)

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Gallifrey, Ho!

I've made a decision, and committed to the Plan: I'm headed to Gallifrey One 2012 in February! It will be my first ever Doctor Who convention (or, umm… any convention, for that matter).

If you like what I've been doing here and would like to live vicariously through me as I blog about my Con experiences – including, hopefully, meeting some of the Names who will be there (like Paul McGann, the Eighth Doctor himself) – please consider showing your support by contributing to cover my expenses. To the right, you should see a Send me to the Con! button. Clicking that will take you to a page where you can choose any amount you'd like to give (it will go into the Neowhovian PayPal account, but you don't need your own PayPal account; credit cards also work).

Once I've reached my goal (a relatively modest $500), I'll remove the button and stop taking contributions. There's no need to be overly greedy, after all. In the meantime, I'll keep writing the reviews you've come to expect, which you will hopefully continue to find entertaining and/or insightful.

Thanks for reading the blog!

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Same Song, Different ‘Verse

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Review of Let’s Kill Hitler
Warning:  This review contains episode-specific spoilers and wild speculation about future episodes.


Source – bbc.co.uk – © 2011 BBC

There was a lot going on in this episode. People (aka “fans,” aka “bloggers”) complain a lot about the sense of pacing in Moffat’s writing – how he seems to cram too much into the second half of a two-parter, for example – and I don’t see that changing in regards to Hitler. But for the front end of River Song’s story – from her perspective, anyway – we can hardly expect anything else.

I’ll admit it: by the time the opening credits rolled, I was thinking, “oh, god… this one’s going to be rubbish.” I certainly didn’t buy into the best-friend-we’ve-never-come-across-before thing, either. Before I could get too cranky about that, though, Moffat threw a bone to fandom with the temporal grace comment. “Hmmm…” I thought. “Maybe there’s hope for the episode yet.”

Once Rory got not only to punch Hitler but also to tell him to shut up, I was ready to roll with it. Anything that allows me to see Rory the Badass Roman lurking under that modern exterior is going to earn a few squee!‘s from me (e.g., tricking an officer into saluting long enough to deck him and steal his bike, or even just taking the mickey out of his wife a bit by mimicking her accent back at her (“‘Clues‘? What kind of ‘clues‘?”)). I like that the character development we’ve seen has been kept and expanded, so that he’s really a full-on, capable Companion now.

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A Viewer’s Purgatory

Review of Paradise Towers (#149)

DVD Release Date:  09 Aug 11
Original Air Date:  05 – 26 Oct 1987
Doctor/Companion:  Seven, Mel
Stars:  Sylvester McCoy, Bonnie Langford
Preceding Story:  Time and the Rani (Seven, Mel)
Succeeding Story:  Delta and the Bannermen (Seven, Mel)

While I wouldn’t call Paradise Towers “awful,” it certainly wasn’t a scintillating piece of work, either. It suffers from a strong story concept poorly realized. Not all of that is due to the special effects (though they certainly contribute), but one wonders what could have been if there had been a bigger budget.

In the manner of a disclaimer, I suppose I should start by saying that Mel is among my least favorite Companions. Therefore, anything that starts with the Doctor pandering to Mel’s desire to go for a swim (because he’d jettisoned the pool from the TARDIS – something she’s obviously regrown since) and includes dialog with even a passing reference to one of her typically tragic outfits (as if we hadn’t been trying really hard to ignore it) is unlikely to yield an unequivocal thumbs-up from me.

The pool serves as a plot device to bring our heroes to Paradise Towers (a supposedly utopian high-rise presumably located on Earth, somewhen post-21st Century), though it’s a pretty thin one. I mean, when the pool appears inaccessible, Mel is ready to abandon the plan as well as the whole damn planet (“You don’t happen to know another planet with a swimming pool, do you?”). What – there’s only one pool left on the entire Earth? Get real…

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Nu-View #5: Color Me Surprised

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The Mark of the Rani  (Story #140, 1985)
Viewed 09 Aug 2011

Doctor/Companion:   Six, Perpugilliam “Peri” Brown
Stars:  Colin Baker, Nicola Bryant
Preceding Story:  Vengeance on Varos (Six, Peri)
Succeeding Story:  The Two Doctors (Two, Six, Jaime, Peri)
Notable Aspects:

OK – I’ll admit it: I was really surprised by the reactions to Six. While jE was already familiar with him (in fact, he was the reason she stopped watching, back in the day – and despite not feeling well, I’m pretty sure that’s her real excuse for missing this time), neither of the other two had ever seen him before.  I carefully picked my favorite of his stories in order to cast him in the best possible light.  Who knew – it worked!

First impressions were mixed. The credits were declared more ’70s than ’80s (and Six’s smile garnered such adjectives as “creepy” and “psychedelic”), but the music was “totally ’80s!” Then came the requisite disgust with Six’s coat-of-many-colors, which for this story was closely followed by “what is she wearing?!” in reference to Peri. Finally, there was the general snarking about the supposedly American Companion (“gotta work on that accent, lady”), which actually continued through the whole show (“you’re so incapable!” “I don’t like her at all…”). So far, I was in familiar territory.

Then things turned weird.

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