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Unfinished Masterpiece?

Review of Shada (Unaired)

DVD Release Date: 08 Jan 13
Original Air Date: Slated for the end of Season 17, Jan-Feb 1980
Doctor/Companion: Four, Romana II
Stars: Tom Baker, Lalla Ward
Preceding Story: The Horns of Nimon (Four, Romana II)
Succeeding Story: The Leisure Hive (Four, Romana II)

Here we go. There’s just about nothing better for starting an argument among Long-Term Fans than bringing up the question of the quality (or canonicity) of the “lost classic” Shada. Written by the now-legendary Douglas Adams of Hitchhiker’s Guide fame and sadly interrupted and eventually scrapped due to a labor strike, Shada has gained legendary status among fans. Many seem to believe it would have become one of the best stories of all time, had it actually been completed.

In 1992 the BBC released the existing footage with “linking material” – that is, descriptive narration of the missing bits – by Tom Baker (who, weirdly to me, does it all in first person as the Doctor while dressed in a natty suit), and Shada finally saw the light of day. (It is that version, though remastered for DVD, that is on this disk.) More than a decade later in 2003, it was reworked as an Eighth Doctor adventure and presented as both a webcast (also included here, for access on a PC or Mac) and a Big Finish audio adventure. After another decade, the novelization – written by Gareth Roberts, but based on Adams’ scripts – was released just last year.

So is this serial, “the one that got away” so to speak, all it’s cracked up to be? In my opinion, the answer is a firm “it depends.”

I first saw Shada when I was trying to get a better feel for Eight. I’d seen The Movie, but didn’t want to shell out for a bunch of Big Finish product I’d no way to know whether I’d like, so when I ran across the webcast, I was thrilled. Here I could kill two birds with one stone: more Eight, and see this unfinished story I’d heard so much about. Mostly, I found it a little confusing – whether because I was unfamiliar with the format or due to the script itself, I don’t know.

Confession #33: I’ve Never Thought It’s a Kids’ Show

From the first time I realized that in its homeland Doctor Who is considered a children’s show – a little something to entertain the tots at tea time – I’ve been flabbergasted by the fact. Herein lies one of the blatant cultural differences between the UK and the US: while makers of television program(me)s in the UK seems to believe that kids enjoy not only a bit of peril in their stories but being asked to face some tough issues, those in the US think seem to think their audience is full of morons.

It’s frustrating. As someone who considers herself to be firmly outside the ranks of the morons (though I’m sure there are those who hold a dissenting opinion), I hate being “talked down to” by the shows I watch. I seek out shows that have a bit more bite to them, that stretch me a bit either intellectually, emotionally, or morally. That’s one of the reasons I love Doctor Who – it gives me all of those challenges at different times. And, at least in my experience, that’s not the norm in this neck of the woods.

Here in the US, the majority of television tends to be aimed at the “lowest common consumer,” so to speak. Anything that makes you think at all is usually either in the news/documentary category or relegated to the local PBS (Public Broadcasting System) station – or both. Costume drama? PBS. Literary mystery? PBS. Anything produced in Britain? PBS. I think you can see the trend here.

The Winter of Our Cautious Optimism

Review of The Snowmen
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I’m not sure there’s much more I could have asked for. (Oh, of course there is. A puppy is always nice, for example…)

Seriously, though, I think this is the best Christmas Special in a good long while (the best since Christmas Invasion, in my opinion). No episode is ever absolutely perfect, and I’ll get to the parts that irked me later. Frankly, I wouldn’t be much of a blogger if I couldn’t find something both to love and to hate about any given story, but generally speaking, I have to say I quite enjoyed The Snowmen.

I think a great part of that is because it wasn’t terribly Christmassy. That is, it felt like a “regular” episode (with a bit of extra time for plot development) that just happened to be set at Christmas, much like Nine’s story The Unquiet Dead. Nothing except (here it comes – my first, biggest complaint) the über-sappy, saccharine explanation of “a whole family crying on Christmas Eve” relied on the specific time of year in order to make “sense.”

And, to be honest, it just doesn’t. It’s not like no one else in London has ever – or even in that very year – lost a loved one right at Christmas. It happens to people the world over all the time. Why is this family’s pain special? The simple answer is: it’s not. (No more so than the loss of his most recent Companions is particularly special to the Doctor. But I’ll get to that later.) That fact, combined with the overwrought emotional manipulation that plagues Moffat’s episodes, make the denouement of this part of the story unsatisfactory.

Confession #32: I Miss the Time Lords

[For those of you looking for a review of The Snowmen: I’m sorry; I’m afraid you’ll have to wait another week. I haven’t had time for a second viewing and analysis yet.]

Recently, the comment thread on another post led me to reflect on one of my biggest pet peeves as a neowhovian who has become a fan of the entire fifty year run of our show: RTD’s removal of the Time Lords for the series relaunch in 2005.

Why, you may ask, do I care?

First, it puts a huge, rather stupid wrench in continuity between the two eras of the show. I honestly don’t know what RTD’s motivation for inventing the Last Great Time War (LGTW) was, but I’ve heard it said that it was because the Time Lords would be too confusing for new fans. I hope that’s not the case, because that just tells me that RTD basically thought I – and others like me – must be dumb.

I mean, really; how hard can it be? We already know our protagonist is alien; we’re with you there. He’s got advanced, alien tech and can travel anywhere in space or time; still with you. He has a rocky relationship with the authorities on his home planet, such that he ran away and only works with them when he has to; nope! Sorry, now I’m lost. (Oh, wait… No, I’m not.)

Confession #31: I’m Not Into the Wholidays

This time of year, I see lots of Twitter posts about how excited my tweeps are for the Doctor Who Christmas special. Many of them (who clearly do celebrate Christmas otherwise) say they’re not really that psyched up for Christmas except for the fact that there’s new Who on the horizon. I’m just not there.

For a start, none of the Christmas specials from 2005 through 2011 (which include, in order: The Christmas Invasion; The Runaway Bride; Voyage of the Damned; The Next Doctor; The End of Time, Pt 1 (not exactly a “Christmas special,” but it was broadcast on Christmas 2009); A Christmas Carol; and The Doctor, the Widow and the Wardrobe) do much for me. Each of them has certain things to recommend it, but in the grand scheme of things, they’re nowhere near the top of my list of favorites, even if I limit that list to post-Hiatus episodes. There always seems to be some sort of fatal flaw that just keeps me from loving any of them, and I’m not quite sure why. Perhaps it’s because they’re all meant to be what is stereotypically deemed a “romp,” or that they’re just meant to be little light, fluffy bon bons of stories. Whatever the case, I’ve never remained excited about any of them for more than a week or so.

And this year doesn’t look to be any different. The prequel bits for The Snowmen (no, I won’t say anything about what’s in them this time) haven’t grabbed me. I’ve avoided as much hype and spoilers as possible, though I’ve already seen posts about how there will be a new this-or-that all over the place. I’ve even avoided the Adventure Calendar this year. But just the officially released content – trailers or prequels – tell me enough to know that I can expect more of the same. Some folks are all pumped up and in countdown mode for the “Wholidays”; I just can’t summon the energy.

Confession #30: I Want the Doctor’s Constitution

Although we see it precious little (regeneration sickness, hand getting cut off), one kind of has to assume that over his hundreds of years, the Doctor gets sick or injured from time to time. So how does he make it through? Who doctors the Doctor?

During One’s era, we occasionally saw the TARDIS crew take advantage of the First Aid kit, though Vicki didn’t necessarily trust its contents not to be barbaric, given the time from which her crewmates originated. There was also the Zero Room when Five was having a rough time of his regeneration, and that “device” Three had Sarah Jane retrieve when he was ill on Metebelis III well before the incident that caused his own regeneration. Other than that, though, we haven’t really seen much in the way of medical facilities on the TARDIS. Does she have a sick bay? Even if she did, who would be qualified to treat the Doctor there?

I suppose there are several options. Either (a) the Doctor is immune to most diseases and injuries, (b) he is incredibly lucky, (c) he is able to heal himself off-screen with facilities or abilities never introduced to the audience, (d) he carefully selects a facility he trusts somewhere in time and space and has the TARDIS take him there, or (e) he uses that healing with regeneration energy crap he pulled recently to heal River.

Nu-View #11: Back to Our Roots

The End of the World and The Unquiet Dead (Series One, Eps. 2-3; 2005)
Viewed 27 Nov 2012

Doctor/Companion: Nine, Rose Tyler
Stars: Christopher Eccleston, Billie Piper
Preceding Story: Rose (Nine, Rose)
Succeeding Story: Aliens of London (Nine, Rose)

Last month, after we finished watching The Angels Take Manhattan, we Ladies weren’t really ready to call it a night. After all, 45 minutes of Who is hardly enough. So, on a whim, we decided to watch Rose.

Needless to say, it was a huge nostalgia bomb. For three of us, it was the first episode of Doctor Who we’d ever seen. You never forget your first. We all enjoyed getting back to our beginnings with Nine and Rose, and so it was decided that we would continue on with them for a while.

So here we are, back at our beginnings.

For most of the Ladies (everyone but me), it had be a long time since they’d seen Nine in action. Much of our evening was thus spent just watching the action unfold on screen, and laughing at all the jokes. But now and again, a comment would pop out.

“Teach her not to be impressed,” jE declared as Nine finished his “welcome to the end of the world” speech. Then came the opening credits. jA commented on how this version really takes her back, and I can’t help but agree; this was my introduction to the entire Whoniverse, and there’s something incredibly special to me about listening to that first Murray Gold theme. It puts me in a special, treasured mental space.

A Pretty Good Trip

Review of The Claws of Axos: SE (#57)
DVD Release Date: 13 Nov 12
Original Air Date: 13 Mar – 03 Apr 1971
Doctor/Companion: Three, Josephine “Jo” Grant
Stars: Jon Pertwee, Katy Manning
Preceding Story: The Mind of Evil (Three, Jo)
Succeeding Story: Colony in Space (Three, Jo)

My reaction to this story has always been pretty much full-on Pigbin Josh: “Ooh arr?” Seriously – this one’s just a bit weird. Psychedelic, even.

To a certain extent, that’s on purpose. It was, after all, made in 1971, and the whole drug-tripping scene was still a Thing (or so I understand). The director and editor had a grand old time messing with the effects to make it all visually striking. And the design is incredibly creative, especially when it comes to the ship, which is both amazingly organic looking and, externally, a bit… anatomical (as Katy Manning (Jo) points out in one of the extras).

The story itself has the usual ups and downs. The basic premise is quite cool, with the alien visitors who may or may not be out to get us all, and a substance that can manipulate energy and thus solve huge problems like world hunger. But the inclusion of the Master feels utterly spurious, even if it does lead to some lovely Delgado moments (his Master is perfectly smarmy) and interesting Doctor/Master dynamics.

Oddly, I think the insults are one of my favorite parts of the whole show. For example, when Mr. Chinn, the government official nominally in charge of the whole operation, phones in to report to the Minister, he asks, “Will you scramble, or shall I, sir?” The reply is a terse, “Just your report, Chinn. I’m sure that will be quite garbled enough.” Makes me laugh every time.

Confession #29: I Just Can’t Think About It All the Time

I thought I could do it – I really did. I thought I’d be able to get through this month participating in NaNoWriMo (National Novel Writing Month) and keeping up with the blog. There was only one new DVD out in November for me to review, and G and I had a pretty regular schedule going, so I’d have Retro-Views to post in the other weeks. It was all coming together.

Or so I thought. As the middle of the month crept up on me, it simply didn’t pan out that way. Much as I love Our Show, sometimes I need a break from it. I got Doctor Who fatigue, coupled with a big ol’ smack upside the head from Real Life.

Aside from the time commitment involved in trying to write a (rough draft of a) 50,000-word novel in 30 days, we got the unexpected news that my father has a critical illness. He is undergoing treatment, but we don’t know how much it will help beat back the disease, or how much longer he might have. Obviously, that situation has pushed things like blogging to a back burner – especially when I ended up spending three days visiting him in the hospital due to An Incident instead of the day and a half I’d planned to spend with him there. I have absolutely no regrets of any kind about putting my family first, but it has kind of put a kink in my regular schedule.

Retro-View #7: Here We Go Again

Robot (Story #75, 1974-75)
Viewed 05 Nov 2012

Doctor/Companion: Four, Sarah Jane Smith, the Brigadier, Harry Sullivan
Stars: Tom Baker, Elisabeth Sladen, Nicholas Courtney, Ian Marter
Preceding Story: Planet of the Spiders (Three, Sarah Jane)
Succeeding Story: The Arc in Space (Four, Sarah Jane, Harry)

We’ve finally made it up to the era G saw bits of in college. “Yep. I remember him” is her first comment as Robot begins. It’s wonderful to see this post-regeneration transition period again through the eyes of someone who’s never seen it before. Granted, it’s only been about five years since I first saw it myself, but evidence suggests I’ve turned into a bit of a ming-mong since then.

So I take great joy in her delight over things like the Doctor’s erratic behavior, his mention of “the definite article,” his first sight of himself in a mirror, and the way he chooses his outfit. It is, perhaps, the main reason to recommend this particular serial. Not, of course, that G doesn’t enjoy it thoroughly while still pointing out the obvious and/or silly bits.

To wit, she realizes immediately when our intrepid Companion (Sarah Jane always did have a bit more gumption than sense of self-preservation) ends up at Think Tank that, “whatever it is is going to fall in love with Sarah.” She wasn’t taken in by the off-screen tinkering with K1’s inhibitor, either: “A little WD-40, and we’re on track to kill!” As Part Two progresses, she is particularly enamored of the way Sarah Jane is so proactive (she loves the Brig’s call to action, “or shall we leave it all to Miss Smith?”), and she believes she’s got it sussed when Kettlewell (whose hair is truly impressive) goes to answer a knock at the door: “Uh oh. It’ll be the silver dude. It’ll be like killing dad.”