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Tag: Thirteen

A Much-Needed Breather

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Review of Flux: Village of the Angels
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I have to admit I’m impressed. It can’t be easy to create the stylistic variety from episode to episode that we’re being offered while still telling a singular story. Yet Chibnall (with help this week from co-writer Maxine Alderton) continues to deliver.


Source – bbc.co.uk – © 2021 BBC

In fact, they delivered not just an extremely atmospheric, gothic, “something’s wrong in a sleepy English village” episode, they also provided us space to breathe. The pace of the first half of this short series has been so break-neck we’ve barely had a chance to look around, let alone speculate freely about what it all means. (Not that we’ve had no time—just not much.)

And there’s something comfortingly familiar about the village of Medderton in 1967, narratively speaking. Whether in Hide or in Amy’s Choice or in The Daemons, we’ve seen this kind of just-a-bit-off village many times before. It’s because of that familiarity that this episode is both relaxing and so effectively frightening.

Now I’ve said before that Doctor Who has never actually scared me, but it definitely provides varying levels of tension, depending on the episode. This one ranked pretty high on my tension scale, with the Angels feeling more threatening to me than they had in a very long time. Perhaps it was because the Angels’ original tendency to make their victims “live to death” (with the new information that “nobody survives it twice”) was combined with the idea that “that which holds the image of an Angel becomes itself an Angel”—which they leaned into hard. Whatever made it work so well, Chibnall and Alderton really made the most of the antagonists this time.

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Watch Out for the Kitchen Sink

Review of Flux: Once, Upon Time
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

Regardless of one’s opinion on how the series-long story as a whole is shaping up, one can’t deny that Flux is an ambitious project. And I appreciate the fact that every episode so far has felt like a different beast.


Source – bbc.co.uk – © 2021 BBC

At the beginning, we had a “meet the new Companion in the midst of an Earth-based crisis” episode. Then we got an alien historical. Now it’s a futuristic mind-f***. Whatever the flavor-of-the-week is, it’s been different than the week before.

I am also impressed, as a fellow storyteller, at how Chibnall has woven so damn many plot threads together. After last week, there were only two from the first episode that still needed to get tied back in, but before we even got back to any of those eight, he introduced a ninth with “Bel’s Story.” And by the end of the episode, not only that thread and one of the two previously pending ones, but also a thread from the previous series had been incorporated into Flux. Now we just have Claire’s story to connect into this mess (and it looks like that will happen next week—but I’m getting ahead of myself).

More than any other Chibnall-penned episode, this one felt like it could’ve been written by Moffat. It was packed with plot points, and switched among the various threads so quickly a viewer could barely get their bearings before needing to change focus. Moffat has often used that method to great effect to keep the audience from noticing plot holes, but there is still so much of this story left to tell that it’s impossible to make a judgement yet about how well it all holds together.

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“War” Is Purgatory

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Review of Flux: War of the Sontarans
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

In the past I have often wished for the modern era to return to the Classic era’s serial storytelling style. It seems that this year I’m getting my wish. And although the pace of Flux is quite different than that of a Classic adventure—somewhat dizzying for Doctor Who, in fact—it feels just about right for the story that’s being told.


Source – bbc.co.uk – © 2021 BBC

Again I find my recent experience with longer-running storylines to serve me well here. Despite so much information being thrown at us in quick succession (yes, Doctor, I made that face, too), none of it feels extraneous. Rather, it feels like we’re in that end-of-the-first-act period where most of the pieces have been moved into place, and the real maneuvering can now begin.

Last time I mentioned that I’d noticed at least eight disparate plot threads entwining themselves with the Doctor and Yaz. While some of them had already come together last time (Karvanista and Dan, Swarm and Azure), several others were still waiting to be pulled into the tapestry. This time, we almost immediately get most of the rest woven together.

First, the Doctor, Yaz, and Dan all find themselves in the Crimean War, face-to-face with Sontarans instead of Russians. They have just enough time to meet up with Mary Seacole before both Companions are whisked away to other parts of time and space. (As an aside, given that the Crimean War is not a direct part of my country’s history, and the American education system is pretty shit at introducing students to anything but the most basic aspects of US history (from its own biased perspective, at that), I knew nothing of Mary Seacole before this episode. I am, however, pleased to see the show continue to highlight real historical women.)

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An Opinion in Flux

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Review of Flux: The Halloween Apocalypse
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I’m never quite sure what to expect from a new series—even more so this year, when I haven’t even bothered to watch the trailer. I always go in with cautious optimism, trying to give myself the chance to like (or even love) an episode before the analytical part of my brain catches up and starts picking holes in everything. Sadly, this time around I’m mostly just tired.


Source – bbc.co.uk – © 2021 BBC

As I mentioned before, I don’t seem to have a lot of enthusiasm to spare these days. What energy I do have for viewing has gone almost exclusively into watching various Korean or Chinese (or occasionally Japanese) dramas, depending on what I can find and what strikes my fancy. Oddly enough, I think that puts me in a better place to watch Flux than I might’ve been otherwise.

The pre-credits sequence is all about the Doctor and Yaz getting themselves out of a seemingly hopeless situation. It’s over-the-top, implausible, and exactly the kind of thing that belongs in Doctor Who. (It’s also rich with fodder for fanfic writers, especially the shippers.) But the audience’s introduction to Karvanista, a member of the doglike Lupari species, is just the first of the eight distinct plot threads I counted.

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Confession #150: I’m Too Burnt Out to Care

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Over this past weekend, the news dropped that Series 13 will begin on 31 Oct 2021. Its six episodes, a story arc titled “Flux,” is reportedly the first single-story season since The Trial of a Time Lord (as opposed to, say, Bad Wolf or the Crack, which—while overarching themes—did not dominate every episode of those series). The series will run through the first weekend of December, leaving only three specials, set to air some time in 2022, to round out Whittaker’s—and Chibnall’s—run on Doctor Who.

This should be an exciting time. In the last month, we’ve had not only this confirmation of air dates, but also the announcement that Russell T. Davies will be back at the helm for Series 14. With that information out in the open, it seems likely that the announcement of the casting for the Fourteenth Doctor may also be in the not-too-distant future.

But I just don’t care.

Sure, when the RTD news broke, I was as agog as any seasoned fan. Whether it’s the best thing to happen to Doctor Who since the last time RTD took over, or a harbinger of the end times depends on who you talk to, I suppose, but there’s no doubt that the news sparked a lot of new discussion. The fan base was, at least for a brief moment, energized by an unexpected turn of events.

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Confession #147: I Feel No Anticipation

There comes a time in every Doctor’s tenure when it begins to sink in that another ending is nigh. Thanks to showrunner Chris Chibnall’s scheduling and the pandemic, Jodie Whittaker’s time in the role has already been as thoroughly prolonged as Capaldi’s, which also extended across a year with nothing but a holiday special to tide us over. But will she leave soon?

While Capaldi reigned for four years from regeneration to regeneration (Christmas 2013 to Christmas 2017, with eight months between regeneration and first episode), Whittaker’s two shorter series plus two holiday specials have already spanned three and a half years (Christmas 2017 to now, with about nine and a half months between first appearance and first outing). Even if we believe reports that her third series will air later this year, that puts her tenure at no less than a full four years, like Capaldi’s.

But here’s where we get into sheer speculation. As always, the Doctor Who production team and the BBC are being incredibly tight-lipped about everything they possibly can. We know that Series 13 will be reduced even further to a mere eight episodes, but little else (aside from the identity of an incoming Companion).

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Revolutionary Departure

Review of Revolution of the Daleks
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

Maybe I’m just feeling traumatized by all that 2020 threw at us and am thereby in a headspace where I am only prepared to find joy and not fault, but I was pleasantly surprised at how well the 2021 New Year’s special held up upon a second viewing.


Source – bbc.co.uk – © 2021 BBC

Usually I can really enjoy a new Doctor Who episode on first viewing, but when I stop to reflect, particularly when I’m watching again and preparing a review, I find aspects that bother me on levels anywhere from mild annoyance to outright ruining the episode for me. (This is especially true of those written by Moffat, who specializes in pacing his stories so fast that you don’t have time to notice its flaws that first time.) This time, however, nothing killed the buzz.

Not to say I thought it was the best thing since sliced bread. I think I’m too numb these days to be that effusive. But since I didn’t go into the episode expecting great things—it was a holiday special; I wanted a romp, and that’s what I got—I didn’t come out disappointed. In fact, I came out feeling fairly impressed. Because the thing about Revolution of the Daleks is that its purpose, more than being a holiday special, was to be the farewell story for Ryan and Graham. And in that respect, it did a damn good job.

I think it’s fair to say at this point that the audience has become pretty inured to Daleks. (Terry Nation’s estate is doing no one any favors by insisting that Doctor Who use the damn things every calendar year in order to keep the usage rights.) Personally I kind of roll my eyes every time they show up again, so the entire Dalek storyline was very peripheral to my experience of this episode. What made the special special was the return of Captain Jack Harkness (as more than a teaser) and the ending of two Companions’ time in the TARDIS.

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Confession #141: I’m Psyched for the New Year’s Special

No matter what part of the world one lives in, 2020 has been rough. Many of us are simply fighting for survival, whether our struggles are medical, financial, psychological, of some combination thereof. It’s easy to push things like art (however one defines that) to the background—it’s not important now; how could I waste my time on that; I’ve got to save my energy…

At the same time, though, art is what keeps us alive. Streaming services have been doing booming business as lockdowns and quarantines continue to stretch into an unknown future. People turn to various forms of art to help keep us sane—to films and television, tabletop and video games, books and comics and fanfics.

That’s why I’ve made room in my heart to get psyched for the upcoming Doctor Who holiday special. Perhaps you are, like me, well and truly sick of Daleks already (thanks so much to Terry Nation’s estate for making them a “use them at least once a year or lose the license” entity), but they’re not the only returning characters. When the official trailer for Revolution of the Daleks was released about a week and a half ago, we all learned that Captain Jack Harkness would be returning to our screens, and for more than a single scene.

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Everything Changes

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Review of The Timeless Children
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

For better or worse, showrunner Chris Chibnall has left an indelible mark on Doctor Who. Series 12 finale The Timeless Children was packed with canon-expanding details that fans will be arguing about for decades to come.


Source – bbc.co.uk – © 2020 BBC

Whether you loved it or hated it (there doesn’t seem to be a whole lot of in-between in the chatter I’ve seen), there was a lot to wrap our minds around. Did the Doctor see truth or elaborate lies in the Matrix? What is truth? Does it matter?

I choose to believe the Doctor saw the truth. Among other things, it might explain how she really could be the Other of Time Lord mythology. But mostly, I just think it’s a fantastic twist that simultaneously upends everything we thought we knew about the Doctor and ties in a bunch of things that previously made little or no sense.

The quintessential example of canonical inconsistency, of course, is all those faces that showed up when Morbius challenged the Fourth Doctor to look back on his previous lives, and they went back past the Hartnell incarnation. Add to that the question of how many regenerations a Time Lord has, and you get a recipe for confusion.

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The Sum of Its Parts

Review of Ascension of the Cybermen
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

The Cybermen (well, one, anyway) crashed unexpectedly onto our screens last week, beating the series finale to the punch. Even so, Ascension had some quality Cybermen content, making them legitimately chilling again.


Source – bbc.co.uk – © 2020 BBC

Perhaps tellingly, though, what I found most alarming about this version of a Cyber-invasion was how Dalek-y they were. Viewing that pre-credit voiceover through the lens of current events and the rise of neo-Nazism set an alarming tone for me, making the Lone Cyberman’s final declaration of war on all life particularly unnerving.

As far as advancing the series-long story arc, though, it was difficult to get any purchase on events before the final scene (on which, more in a moment). Until then, the plot, though filled with tension for the safety of the fam, didn’t move beyond a typical Cybermen story. Yes, the Doctor’s enemies were (still) out to take over the entirety of the human race. Yes, there’s shitload of them (roughly a thousand per bay, ten bays per level, a few hundred levels works out to a few million Cyber-soldiers on this ship alone). Yes, there’s one particularly off-his-rocker Cyberman who “makes other Cybermen scream.” But it’s still just a story about the Cyberman threat.

Then those final moments arrive, and something plot-y starts to coalesce. There’s Gallifrey on the other side of the Boundary, and suddenly it’s not all about the Cybermen anymore.

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