Review of The Runaway Bride / Partners in Crime / The Fires of Pompeii
It wasn’t until I sat down and started rewatching The Runaway Bride (which, if memory serves, I didn’t much like the very first time I saw it) that I realized how very much I’d missed Donna. And it wasn’t until Donna saw Rose’s jacket and accused the Doctor of abducting other women that I realized how very much I hadn’t missed this mopey Doctor.
I will own up to my roots: I was a hardcore Doctor/Rose shipper (though I didn’t even know that was a term at the time) when I first started watching Doctor Who. After all, my first episode was “Rose,” and I binge-watched the Ninth Doctor and Rose falling for each other (it’s a perfectly valid reading, hush). It’s honestly part of what drew me into the show.
But this long after the fact, I don’t feel the same kind of emotional impact. Mostly, I feel annoyed at how much that one Companion/Doctor relationship influenced the two that followed immediately after it. And while I’ve come to appreciate Martha Jones more now than I did at that time, I have always appreciated Donna’s straightforward, no-nonsense approach to her adventures with the Doctor.
Well, almost always.
As I said above, I found her really abrasive at first. The way she was so outwardly selfish (witness the way she and her groom Lance got together, especially as misleadingly retold to the Doctor) really put me off. She was really unlikeable.