Review of Let’s Kill Hitler
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.
There was a lot going on in this episode. People (aka “fans,” aka “bloggers”) complain a lot about the sense of pacing in Moffat’s writing – how he seems to cram too much into the second half of a two-parter, for example – and I don’t see that changing in regards to Hitler. But for the front end of River Song’s story – from her perspective, anyway – we can hardly expect anything else.
I’ll admit it: by the time the opening credits rolled, I was thinking, “oh, god… this one’s going to be rubbish.” I certainly didn’t buy into the best-friend-we’ve-never-come-across-before thing, either. Before I could get too cranky about that, though, Moffat threw a bone to fandom with the temporal grace comment. “Hmmm…” I thought. “Maybe there’s hope for the episode yet.”
Once Rory got not only to punch Hitler but also to tell him to shut up, I was ready to roll with it. Anything that allows me to see Rory the Badass Roman lurking under that modern exterior is going to earn a few squee!‘s from me (e.g., tricking an officer into saluting long enough to deck him and steal his bike, or even just taking the mickey out of his wife a bit by mimicking her accent back at her (“‘Clues‘? What kind of ‘clues‘?”)). I like that the character development we’ve seen has been kept and expanded, so that he’s really a full-on, capable Companion now.