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Tag: Nu-Who

Nu-View #15: Reliving “Everybody Lives!”

The Empty Child and The Doctor Dances (Series One, Eps. 9-10; 2005)
Viewed 19 Nov 2013

Doctor/Companion: Nine, Rose Tyler
Stars: Christopher Eccleston, Billie Piper
Preceding Story: Father’s Day (Nine, Rose)
Succeeding Story: Boom Town (Nine, Rose)

After seven months’ hiatus (yes, I know—dirty word), the Ladies are finally back together to watch the Ninth Doctor again. They began the evening in high spirits. “I love coming back to this season; it’s what I fell in love with,” jA declared, and jO and I gave knowing nods.


Source – bbc.co.uk – © 2005 BBC

Speaking of things we love, jA needed her memory jogged. “Is this where Jack comes in?”

“Oh, yeah,” came jO’s appreciative affirmation.

After that, there are surprisingly few comments; mostly we’re all more interested in watching the action unfold. Now and again, though, something will trigger a comment.

For instance, when the Doctor explains his consternation to Nancy (“It’s not a real phone; it’s not connected.”), jE quickly adds, “Neither am I.” Or when Nancy and her little band of kids settles down to someone else’s dinner, jA observes, “That’s a lot of place settings for a family of, like, four…”

Mostly, I keep my thoughts to myself, not wanting to interrupt the others’ enjoyment of the show. I can’t help thinking, though, what a minx Rose is, or how Moffat won a writers’ bet by working “Chula” into one of his scripts, or how full of British patriotism this episode it (“a mouse in front of a lion”). And even though the CG is already pretty dated, eight years down the road, Dr. Constantine’s transformation is still utterly horrifying. That’s body horror at its best.

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Confession #43: I Love/Hate the Ten/Rose Ship

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There’s one thing that can divide a fandom faster than the Vashta Nerada can skeletonize a human: shipping. And the Dallas Cowboys (or Man U) of Who fandom ships—the one you either love or love to hate—is the Tenth Doctor and Rose. Let me break down the two camps, in terms of very broad generalizations (we’re talking horoscope broad, so obviously, YMMV).

On the one side, you have hardcore Ten/Rose shippers. They see Ten and Rose as an OTP (or “one true pairing”)—the ultimate ship that cannot be sunk, no matter what else is written before, after, for, or about the couple. As far as I can tell, some of these shippers go so far as to deny that any story that doesn’t involve Ten and Rose is innately inferior, and thereby beneath their notice, or at least a questionable use of their time.

On the other, you have Ten/Rose shipper-haters. These fans actively hate the Ten/Rose ship, and in many cases even extend that distaste to fans who do ship it. Further, a fair number of these anti-shippers believe that the Doctor does not (or should not) ever be in a romantic relationship of any sort. A non-negligible subset of these fans seem to think very little of the post-Hiatus show is worth their time.

And here I sit in the middle.

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What’s in a ‘Name’?

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Review of The Name of the Doctor
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

So many conflicting emotions. Parts of this finale were brilliant, and I really wanted to love the whole thing. I’m afraid I’m going to have to admit that I’m turning into something of a curmudgeon, though; this show is not entirely for me anymore.


Source – bbc.co.uk – © 2013 BBC

I’m betting there are few Moffat fans (perhaps more specifically “River fans”) who didn’t adore this episode. For my part, as someone who has been a Doctor/River denialist rather than a shipper, the otherwise lovely bits of the story were somewhat tarnished by the saccharine (Brits would say “twee,” I suppose) farewell between them.

I’ll admit the way River was used through the rest of the episode was clever, and overall I like her. I’ve just never bought that there was a strong, romantic love between them (at least, not reciprocated by the Doctor), so while I was completely caught up in the “you can see me?” conversation, as it ground inexorably toward a big, wet smoochie, I found myself thinking, “Oh, no. Please don’t. He’s gonna – aw, damn!”

One thing that really gets me about this new, post-Library River (who knew that was even possible?) is the fact that we’re left to conclude that she has literally been haunting him for years. I’m not sure I care for that idea. Makes him rather a jerk to ignore her that whole time, doesn’t it? Is she less “real” – does she “count” less – because she’s in the mainframe, and so it’s OK for him not to think about her feelings at all? Way to respect the person you supposedly love, Doctor.

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Don’t Wake Me

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Review of Nightmare in Silver
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I’ve read (OK, skimmed) a fair number negative reviews for this episode, but I have to say I just can’t relate at all.


Source – bbc.co.uk – © 2013 BBC

This series more than any other, I’ve observed a vast array of opinions among fans. For any given episode, there seems to be a “best thing since sliced bread” camp and a “disastrous blight besmirching the face of Our Show” camp. Occasionally, there’s a “Weeeeell… It wasn’t awful, but it sure could’ve been better” contingent, too. As best I can tell, the residents of these camps don’t all stay together as they switch campgrounds, either. I’m not sure if it’s really this series, or that I’m a little more connected these days than I used to be that’s responsible for my observation of the effect, but nearly every episode has been divisive to some degree.

I’m all for every fan having (and voicing) their own opinion, and I know no one’s line up exactly with anyone else’s – heck, things would be boring if they did. I like to believe that most times I can wrap my brain around the differences enough to say, “I don’t agree with you, but I can understand why you feel that way.” But this time I just don’t get it.

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Invasion of the Leeches

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Review of The Crimson Horror
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I can’t help but wonder if the Doctor isn’t doing some universe-hopping with Clara on board. After all, it would explain both her comment that her current home “looks different” when she comes back to it and some of the nonsensical parts of their adventure this week.


Source – bbc.co.uk – © 2013 BBC

Despite the fact that bad science often irks me when I see in in Who, something about the way Mrs. Gillyflower’s rocket was the epitome of steampunk allowed me to put a perception filter on the whole thing and take it in stride. (Even if I can’t buy that this “prize-winning chemist and mechanical engineer” could devise both a viable preservation process and a functional rocket with only the help of a millions-years-old leech.) I know others were bothered by the flurry of anachronisms (and I also don’t believe that Vastra, Jenny, and Strax can work unmolested in Victorian London, but that’s another issue), but somehow – while other episodes this season have really put me off – I was mostly able to roll with this one.

I can’t honestly say I was over-the-top thrilled, though. After all, I’ve never really been a fan of the “penny dreadfuls” (or Hammer Horror films, to which I understand there were a great number of references). So the genre wasn’t my thing. That means the bodies that had succumbed to the Crimson Horror grated on me, the all-around nasty old lady put me off, and Mr. Sweet was simply 100% icky.

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Like a Box of Chocolates

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Review of Journey to the Centre of the TARDIS
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I think that nearly every fan, upon hearing the title of this episode, felt their heart skip a beat. Indeed, Moffat himself has indicated in interviews that his own fannish disappointment with the results of similar hype surrounding the end of The Invasion of Time (the pursuit “through the labyrinthine corridors” consisting primarily of tromping through the same stretch of an abandoned hospital building) was the inspiration for Doing It Right, so to speak.


Source – bbc.co.uk – © 2013 BBC

Well, at least they tried…

I find myself weirdly ambivalent about this one – so much so that I was hard pressed to make myself sit through a second viewing. Even though there was a lot I liked – pretty much anything that had to do with the TARDIS herself I loved – there were so many parts that didn’t work for me that I’ve had a tough time mustering any enthusiasm for the episode as a whole.

Let’s go with the uncomfortable bits first so we can go out on a high, eh? Starting with the social commentary, I was rather disturbed to realize it took me till that second viewing to realize that we’d finally got some people of color in key roles, but they were depicted as the baddies. That troubles me.

What troubled me more, though, was those characters’ story. I found it horrific – I suppose from a storytelling point of view, that’s good. After all, it was small anomalies that proved out over the course of the episode without being heavily telegraphed. Good stuff, right? Maybe, but it just made my skin crawl, and not in a good way.

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Obvious Quality

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Review of Hide
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

So close. So close! It was almost another top-notch episode – filled with nods to the pre- and post-Hiatus eras both – but it tripped at the finish line.


Source – bbc.co.uk – © 2013 BBC

I will admit that those last two minutes didn’t bother me quite as much the second time through, but I was also pausing the recording at regular intervals to make notes. That tends to break up the action in a way that prevents one from getting pulled into it.

What did work for me was practically everything else in the episode. It was wonderfully atmospheric, providing the perfect ambience for a ghost story. I absolutely loved the way that the shots in the main part of the house were all done to give a strong impression of sepia tone photography, down to the brown costumes.

With the exception of the cringe-worthy entrance of the Doctor and (especially) Clara, the seriously spooky tone is well maintained throughout, with the occasional light comic relief to allow a break in the tension. Most of that is courtesy of Clara, or of her relationships with the Doctor or the TARDIS, as when the Doctor tells her that her “pants are so on fire.”

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Chillingly Good

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Review of Cold War
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

Hallelujah – finally, an episode I actually liked!


Source – bbc.co.uk – © 2013 BBC

Though the pre-credits sequence didn’t grab me quite as much as it did the poor sailor, it was not a bad way to start (and narratively necessary). Where the story really got rolling, though, was immediately after the credits as the ship was heading down. It had an extremely Das Boot feel, and was incredibly tense as a result. And I thought they largely managed to maintain that tension throughout.

I’m not sure how much of my love for this episode comes from the fact that I could utterly relate to the Doctor’s declaration: “hair, shoulder pads, nukes – it’s the ’80s. Everything’s bigger.” It certainly didn’t hurt that I remember the political climate of 1983 so clearly. The episode definitely gave me that rock-in-the-pit-of-my-stomach feeling that “mutually-assured destruction” always did. It was something we lived with daily; the threat of nuclear war hung over the heads of even middle school kids like me. So suffice to say I thought they nailed the feel of the era.

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Nu-View #14: Strength Through Adversity

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Father’s Day (Series One, Ep. 8; 2005)
Viewed 04 Apr 2013

Doctor/Companion: Nine, Rose Tyler
Stars: Christopher Eccleston, Billie Piper
Preceding Story: The Long Game (Nine, Rose)
Succeeding Story: The Empty Child (Nine, Rose)

I know the Ninth Doctor isn’t everyone’s cup of tea (especially with last week’s frankly unsurprising news that Eccleston definitely will not be participating in the 50th), but great heavens, is he ever mine.


Source – bbc.co.uk – © 2005 BBC

While Father’s Day doesn’t grab me the same way that Dalek does, it serves a vital purpose in terms of character development. Of course, the “character” in this case is actually the relationship between the Doctor and Rose. (Just a heads-up, in case you haven’t seen the episode: the rest of the post is pretty spoilery.)

Rose decides she wants to see her long-dead father and the Doctor questions her motivation. When she passive-aggressively suggests he can’t do it, he responds that “I can do anything. I’m just more worried about you.” And that, effectively, is the theme of the whole piece.

But first we have to see Rose be an utter idiot (some would argue there should be an “again” in that sentence). The Doctor loves her enough (however you define that love in your own headcanon) to do something dangerous to please her. “What ever happened to the ‘you can’t cross your own timeline’ thing?” wondered jE. Of course, it all backfires. The second Rose rushes to save Pete. “Ruh roh,”says jO. The camera pans back to Nine’s furious face. “RUH roh…” (I suspect jO hasn’t seen this since I first hooked her on the show, some four years ago.)

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A Tale of Two Reactions

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Review of The Rings of Akhaten
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

This one’s an odd one, and no doubt. The whole way through, I couldn’t decide if I thought it was wondrous or horrible. (Also – can I just tell you all how much the name of the place messes me up? I seriously keep thinking there should be an n after the initial A.)


Source – bbc.co.uk – © 2013 BBC

I still can’t decide, and it looks like I’m not alone. There is no “fan consensus” about this episode, and I find that almost as weird as my own dual reactions. Complicating matters is the fact that I can’t pinpoint what I don’t like about it. All I can say is that somehow it rubs me the wrong way.

Let me begin, then, with a few niggling irritations. First, there’s the leaf. I like the story of “the most important leaf in human history” (though the Doctor’s being a bit stalker-y, which makes me vaguely uncomfortable); every happy couple should have some story about how they met that makes them smile years down the road. What bugs my detail-oriented self is that it’s not the same leaf we saw in the previous episode. I’m not sure what kind this one is – it looks a bit too broad to be an aspen, though that’s the closest I could come, with my limited knowledge of botany – but the one from The Bells of Saint John is most definitely a maple. This one’s supposed to be a maple, too, based on the tree from which it fell, but it’s not. And I’m completely unreasonably put off by it.

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