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Review of Robot of Sherwood
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I’m not sure I’ve ever seen a Doctor Who episode with such strong metatextual themes. From the moment the Doctor tells Clara that “old-fashioned heroes only exist in old-fashioned storybooks” and she asks, “What about you?” the ideas of story and reality overlap in ever thicker layers.

Nor is the episode afraid to call back to the pre-Hiatus era—and skillfully enough not to make new fans wonder WTF is going on, I’d wager. Twelve certainly channeled his inner Three, first with reference to a miniscope and then with a carefully timed “Hai!” to chop Robin’s sword from his hand at the archery tournament.

Even without any of that context, though, Robot of Sherwood serves as an important milestone in the Twelfth Doctor’s tenure: his first “romp.”

Writer Mark Gatiss is on top form here. It’s certainly my favorite from him since his inaugural outing in The Unquiet Dead. The fact that Clara an active role in sorting out what the Sheriff’s plan is, having proved herself the ringleader through the simple act of keeping her yap shut, is refreshing (though I’m not sure that making the Doctor into a petulant twit set on one-upmanship is a great trade-off). Clara and Twelve are settling into a more comfortable relationship, and she’s back to happily giving him what-for when he needs it (“Can you explain without using the word ‘sonic screwdriver’?”).

A Good Dalek (Episode)

Review of Into the Dalek
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

If you’d told me a month ago that one of the episodes of this series would be The Invisible Enemy meets Dalek, I’d have been, shall we say, dubious at best. Yet that’s what we got in Into the Dalek, and I have to say I think it worked.

The very fact that I’m willing to mention this episode in the same breath with Dalek, a personal favorite from the post-Hiatus era, tells you something about how much I enjoyed it. Granted, is was not completely flawless (though to be honest, I doubt such a beast exists), but it was, for me, certainly one of the best since Moffat took over as showrunner.

Yet while the main conceit of the episode—literally getting inside a Dalek’s head—is new and therefore interesting, it was not, in fact, the driving force of the story. Instead, it’s a character piece.

Most of the character development is for our new Doctor. We the audience are still getting to know him (as is Clara and, let’s be honest, he is himself), so this is important stuff for us to see. And I was fascinated to realize both that I like Twelve less than I did in his debut, and that I find him an infinitely more interesting character than most of his predecessors. This distinction is important to me, so let me put it another way to be sure I’m making myself clear: this Doctor is not nice, but I adore him.

Exhale

Review of Deep Breath
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

The new Doctor has officially arrived, and I can release the anticipatory breath. My biggest fear was that Capaldi would not live up to all my expectations. That one, at least, I can put to rest.

As for the remainder of the episode… Well, let’s just say the more things change, the more they stay the same.

It’s a series opener, so we all knew before the list of titles, writers, and directors was released that this was going to be a Moffat story. I had my fingers crossed, but it came out true to form. On my first viewing, I really enjoyed it; certain details niggled at me, but I was able to ignore them and enjoy the ride. On second and later viewings, the flaws started to do more than niggle, and it became ever more difficult to enjoy certain scenes. That, for me, is the classic Moffat signature.

Before I go any further, let me be clear: I thought Capaldi’s Twelve was bloody brilliant. I love him already. He was everything I hoped for (with the possible exception of some overly friendly chatting up of a lonely female T. rex), and I can’t wait to see more of him.

Clara, however, was a mixed bag for me. On the one hand, she really stepped up her game, executing a very Doctor-ly bluff-calling when set against the Half-Face Man (more on that later) and standing up to Vastra. On the other, she—the Impossible Girl, who had saved the Doctor time and again in his many incarnations—couldn’t get over the fact that he wasn’t the same man anymore. On the whole, I think she came out net positive for me (her improvements outweighing the backsliding), and I’m hoping she continues to grow into a character I could miss.

Nu-View #20: Brave New Worlds

New Earth / Tooth and Claw (Series Two, Eps. 1-2; 2006)
Viewed 05 Aug 2014

Doctor/Companion: Ten, Rose Tyler
Stars: David Tennant, Billie Piper
Preceding Story: The Christmas Invasion (Ten, Rose)
Succeeding Story: School Reunion (Ten, Rose, Sarah Jane Smith)

Our latest WhoFest was meant to be the first in my new home. The depressing fact that it wasn’t (and that our move is rapidly receding into the realm of myth) was somewhat alleviated by jO’s return to the fold after an extended absence.

The early, jaunty Ten had been similarly absent from all of our Who viewing in recent years. “Look how young he looks!” exclaims jO. “When was this?”

I remind the Ladies that Series Two went out in 2006, and jE summarizes our common reaction perfectly: “We’re getting old.”

Old we may be, but at least we’re not hanging onto our youth in sheer desperation like Cassandra. And she’s a crafty one, redirecting Rose to her lair for her own nefarious purposes. “[Rose] knows she’s not on Ward 26,” observes jE. “Why doesn’t she just get right back in the lift?” It’s one of several plotting flaws we notice this evening.

I found it interesting to realize how I always think of this story as having a lot of Zoë Wanamaker (Cassandra) in it, when she actually only plays the character for a few minutes. With all the body-swapping, even Sean Gallagher (Chip) spent nearly as much time as Cassandra as Wanamaker did. And, by the way, kudos to Gallagher; Chip was a physically awkward character to play, especially running through corridors with his arms straight down at his sides.

Nu-View #19: Enter Number Ten

The Christmas Invasion (Series Two, Ep. 0; 2005)
Viewed 08 Jul 2014

Doctor/Companion: Ten, Rose Tyler
Stars: David Tennant, Billie Piper
Preceding Story: The Parting of the Ways (Nine, Rose)
Succeeding Story: New Earth (Ten, Rose)

As the Ladies gather one last time at the current Chez Neowhovian, the impending move to a new house is top on everyone’s mind. Next time we get together (hopefully jO will finally be able to join us again; it’s been too long!), we’ll be at a completely new place.

We barely even mention in passing that we’ve tried before to watch this episode (though there’s a little muttering about it as Mickey shushes his coworkers to listen more carefully to the TARDIS materializing). The next thing we know, Jackie’s delivering the classic joke line (“Doctor who?”) and the opening credits crash across the screen.

Poor Mickey is still getting the short end of the stick. “Can you just let it be Christmas?” he begs Rose. “Not so much,” jE answers for her. On screen, Rose herself is trying a little harder, nodding acquiescence.

“You promise?”

“Yeah,” she assures him.

“Well, yeah, until the life or death stuff,” amends jE. “Then I’ll renege on my promise.” And so it goes.

Nu-View #18: Special Surprise

Planet of the Dead (Series Four Special; 2009)
Viewed 03 Jun 2014

Doctor/Companion: Ten, Lady Christina de Souza
Stars: David Tennant, Michelle Ryan
Preceding Story: The Next Doctor (Ten, Jackson Lake)
Succeeding Story: The Waters of Mars (Ten, Adelaide Brooke)

Having finished the Ninth Doctor’s tenure last time, the Ladies and I are ready to leap into the Tenth Doctor’s debut. Fate is, however, against us.

It turns out that my Doctor Who evangelism is as disorganized as the rest of my life right now. Around New Year’s I’d loaned my DVDs of Series Two to a friend whose kids were just getting into Who, and never asked for them back. I only discover this oversight for our WhoFest viewing plans as the Ladies are setting themselves up with wine and snacks.

Not to waste one of our increasingly rare opportunities to spend time together with each other and the Doctor, we decide to postpone our watch-in-order exercise for another time and select an episode that we collectively know less well, at jE’s request. It’s an unexpectedly good choice; not only has jE seen it only once, but we discover that jA has never seen it at all! (I’m not sure how this egregious error came about; it’s good we’re correcting it now!)

So off we go on the Lonely God’s last “romp.” First we meet our bored, aristocratic cat burglar as she takes advantage of the “worst security system ever” (as jA puts it). For someone who’s meant to be so clever, Christina’s a bit of a dullard for ripping off her identity-concealing mask whilst still inside the museum she’s in the process of robbing.

Confession #61: I Want a 50th Boxed Set

Over the weekend, reports surfaced that The Five(ish) Doctors Reboot; the unofficial-but-officially-sanctioned half-hour special written and directed by Fifth Doctor Peter Davison and co-starring Colin Baker (Six), Sylvester McCoy (Seven), and (briefly) Paul McGann (Eight); would at some point be released on DVD. The source of this information is apparently C. Baker himself, sharing the news at a Doctor Who Appreciation Society event. Details are ridiculously sketchy, pretty much only including the fact that it’s slated to happen and that it will be part of a “special set” focused on Matt Smith.

Folks are already speculating wildly about what will be on this rumored set, though most (like me) seem to have settled on the idea that it will be something 50th anniversary-related. My favorite overly enthusiastic and admittedly too optimistic list of items that might be included encompassed everything from the Proms to Hurt interviews to a specially created farewell to Eleven.

Admittedly, if it does turn out to be an anniversary set, there is a lot of material from which to choose. A lot of material was only available in one part of the world or another (e.g., the aforementioned Proms, or the Doctors Revisited series which didn’t make it to the UK until mere weeks before the anniversary). But how likely do we really think it is that BBC Worldwide would include videos of panel interviews, for instance? Realistically, there’s a pretty short list of what they’re likely to use.

Nu-View #17: The End of Our Beginning

Bad Wolf / The Parting of the Ways (Series One, Eps. 12-13; 2005)
Viewed 20 Mar 2014

Doctor/Companion: Nine, Rose Tyler
Stars: Christopher Eccleston, Billie Piper
Preceding Story: Boom Town (Nine, Rose)
Succeeding Story: The Christmas Invasion (Ten, Rose)

The Doctor plops himself down into a big, red comfy chair in the Diary Room, looks straight at the camera, and declares in disbelief, “You have got to be kidding!” Oh, Doctor… How could you predict my reaction to this past weekend so perfectly?

As the Ladies sit down together to watch the final two episodes of Nine’s all-too-short tenure, I’m finally happy and relaxed. I’ve spent a frantic week preparing to put our house back on the market, and it’s finally wrapped up; the listing will go live the next day. The only downer is knowing we’re saying goodbye (again) to the Doctor who started my love affair with this whole crazy show.

We’re all ready for a good time. As the TARDIS crew each settle into the games in which they’ve been inserted, the quips fly around the room. Trin-E and Zu-Zana use the defabricator on Jack, who then assures them, “Ladies, your viewing figures just went up.”

jA’s eyes sparkle. “I’d like to be watching that channel!”

Over with the Anne Droid, Rose’s competitor Rodrick (played by Paterson Joseph, an actor whose name has popped up now and again in “who could be the next Doctor” lists) explains the most basic rules of the Game Station to her. “It’s play—or die.”

Nu-View #16: Dining with the Enemy

Boom Town (Series One, Ep. 11; 2005)
Viewed 11 Feb 2014

Doctor/Companion: Nine, Rose Tyler
Stars: Christopher Eccleston, Billie Piper
Preceding Story: The Doctor Dances (Nine, Rose)
Succeeding Story: Bad Wolf (Nine, Rose)

The fact that we happened to watch this particular episode the day before I left for Gally was totally fortuitous for me. Among other things, having it fresh in my mind helped me appreciate having Annette Badland (who played Margaret / Blon Fel-Fotch Passameer-Day Slitheen) at the con.

Better yet, the re-watch reminded me what a profound episode it is.

It begins with a reminder of how we first met the unfortunate Slitheen family. “I hate those guys,” interjects jA. “They’re ishy.” And it seems “Margaret” hasn’t changed much beneath, even if she has taken on an air of public service, heading up the Blaidd Drwg project.

And so it proceeds, though the first half of the episode is mainly the slightly silly, doesn’t-make-sense-if-you-look-to-hard fare we’ve come to expect from Who. RTD exhibits a bit of a tin ear for dialog in a place or two—e.g., when Blon takes Cathy the reporter to the loo with her, so she can shed her skin suit and kill the woman, then makes a seemingly rude noise upon entering the stall. Cathy comments, “Sounds like we got here just in time!” Incredulous, jA asked, “Who does that?” Perhaps we can give RTD a pass on that one, though, as he’s presumably never experienced a communal ladies’ room moment firsthand.

That Turkey Never Did Quite Get Cooked

Review of The Time of the Doctor
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

I suppose my expectations finally sank to the cellar when the first “nude Doctor” promo pics hit the Web. You’d think there would be no room left for crushed hopes after that, but apparently you’d be mistaken. It seems I had an iota of optimism left that Moffat could tie shit together coherently—I really ought to know better.

Usually I enjoy Moffat’s episodes in the moment; it’s not till later when I have time to think about the plot that I realize how riddled it is with holes and other offenses. Most times he manages to catch me up in the emotion of each scene (which is, after all, his strong suit) and I can take an episode as it was intended on that first viewing.

Not this time.

Maybe it had something to do with all of the interruptions (mine were familial rather than commercial, but I’m sure the effect was much the same for those who watched on BBCA). Or maybe it was the painful running “gag” about nudity (which just… No.). At any rate, from the very first chirping tones of the message—the Question—and the Mother Superious’s droning voiceover, I was a detached observer, uninvested (at least in a good way) in the proceedings. I was pissed at Clara for not listening when the Doctor said he was in danger, I was pissed at the Doctor for blatantly ignoring human social mores (with which he is damn well familiar), and I was pissed with Moffat for thinking that “for kids” and “juvenile” were interchangeable.