Menu Close

Tag: Gally 2016

Gallifrey One – Station 27: Day Three

It’s interesting how unique a character each of the three days of Gally has, and how consistent those characters are from year to year. For me, at least, Friday is fairly giddy, with a “pinch me; I can’t believe how much awesome there is, and it’s only just starting!” vibe. Saturday is the super busy con-in-full-swing day that never seems to slow down. Then there’s Sunday, which always suffers a vague pall of sadness somewhere in that mental space between denial and acceptance as everyone tries to squeeze all possible awesomeness out of the last of our time together.

As the day marches inexorably toward Closing Ceremonies, the harsh reality of another ending becomes ever more undeniable and friends cling together or seek each other out, having somehow missed each other the rest of the weekend. So as I sit in the unusually empty lobby on Monday morning, I look back on Day Three with a combination of melancholy and gratitude for more great experiences.

My Sunday on the con floor started in the audience of an interview panel with Sir John Hurt. There were several memorable moments, including his answer to an audience question about whether he’d ever, shall we say, taken anything home from the set that he wasn’t strictly supposed to take. He said that after the first Harry Potter movie (in which he played Olivander the wand maker from Diagon Alley), he brought home four wands for his two sons and a couple of nephews. Then he told us that people sometimes bring their wands in boxes to him to be signed and “I remember making every one of them.”

Gallifrey One – Station 27: Day Two

Saturday at Gally always feels most hectic, though not in a frenetic way. The stress, at least for me, tends to come from the fact that there’s always awesomeness available than it’s ever possible for a single person to partake in (though I’ll admit I’ve seen a few folks with time turners…). On the up side, programming never begins first thing in the morning. For some attendees, that means they have time recover a little from the previous night’s hangover; for me, it means time to blog.

So after getting my Day One recap finished and posted, I had plenty of time to laze about our hotel room and get dressed in my cosplay for the day before my first event. That happened to be the second of my two panels. Just as my first one, “Ninth Symphony” (a review of Series Nine) proved to be a fascinating discussion with lots of input from both the panelists and audience members.

From there, I headed straight to the Verity! meetup where they were giving away Verity! tumblers, candy, and ribbons (each Verity had her own color). Someone even brought a cake to share (including the inscription “Because cake should be a business expense”). Everyone, fans and podcasters alike, was lovely, and I was sad to duck out early.

Gallifrey One – Station 27: Day One

Welcome to the madness of Gallifrey One posts for the year!

By Saturday morning, I’ve already been here in LA for three days. Arriving earlier than ever before (Wednesday morning) has proven to be a good idea. It gave me time to begin adjusting to the time change, just hang out in the lobby, and connect with a few people I’d met in passing previously. On the down—or possibly just strange—side, by the time the con actually started on Friday, I felt almost as if the weekend ought to winding down instead of just ramping up.

In part, that feeling of being well into the con is probably due to the fact that one of the big social interactions of Gally was already in full swing by mid-afternoon on Thursday: ribbon trading. Even before badges were available at the registration table downstairs, people were in the lobby feverishly trading (even hotel staff had a ribbon to trade!). And it wasn’t just ribbons. This year, I saw the largest variety of non-ribbon tradables I’ve ever witnessed. There were Girl Scout cookies, candy spoons, hand-crochet adipose babies, tiny wooden TARDISes (this last being one I didn’t see in person, but saw posted on Facebook), and plenty more I probably didn’t even hear about.

Since I wasn’t able to get my ribbons from my supplier until about 8pm, that meant I was already hours behind on trading. Time will tell whether or not I’ll give them all out now, though the key seems to be making one’s stash visible. Without that visual cue, people don’t approach you to ask for ribbons; it seems to be an expectation that has grown along with Gally’s ribbon culture. Were I a cultural anthropologist/sociologist, I’d totally do a study on the development and evolution of the culture of various conventions.