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Tag: Eight

The Power of Fan Service

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Review of The Power of the Doctor
Warning: This review may contain episode-specific spoilers and wild speculation about future episodes.

There was nothing subtle about The Power of the Doctor. It was pure fan service, from start to finish. Some of it we knew about beforehand, and some of it came as a surprise—again and again—but it was blatantly obvious that showrunner Chris Chibnall wanted to check off every single item on his bucket list on the way out.


Source – bbc.co.uk – © 2022 BBC

For the most part, I was happy to go along for the ride. Only in the final thirty seconds or so did I balk. (Yes, we’ll talk about that more, but under the cut.) It made me want to use my full-on Mom Voice: I’m not upset with you; just disappointed.

But let’s back up for a while, and leave that moment for later. First, let’s talk about the bonkers hour-and-a-half of Jodie Whittaker’s last episode in the lead role. This was Chris Chibnall’s ultimate fanfic moment; he threw in every plot thread and character he could think of (and book), and wrote a huge fix-it fic.

For those who may not be familiar with fanfic (I am only peripherally so, as I don’t read fic myself, though my kids do), the biggest purpose of the genre—as far as I can tell—is to tell the stories with beloved characters that the fan writer really wanted to see/read in the original media property, but was never given. (In other words, all of modern Who is basically fanfic of Classic Who, show-run by Classic fans.) And one sub-genre of fanfic is the “fix-it fic,” in which the fan writer fixes something that they felt was inherently wrong with the original.

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Might-Have-Beens and Never-Weres

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Review of Neverland (#33)
Big Finish Release Date: July 2002
Doctor/Companion: Eight, Charley, and Romana II
Stars: Paul McGann, India Fisher, and Lalla Ward
Preceding Story: The Time of the Daleks (Eight, Charley)
Succeeding Story: Spare Parts (Five, Nyssa)

It’s been diverting to broaden my Big Finish horizons and listen to some adventures with the Sixth and Seventh Doctors, but I found I was missing the Eighth. Thus I’ve returned to the last of his adventures recommended to me from the first fifty releases in the Main Range.

Charley has visited a couple more interesting points in space and time with the Doctor since last I joined them. We do not, however, start with the two of them—instead, we are on Gallifrey with Lord President Romanadvoratrelundar—known to the Doctor (and us) simply as Romana. Someone is reading out historical facts revolving around Charley’s anomalous survival of the R101 crash and her subsequent travels, but the recitation soon becomes garbled. The paradox appears finally to be too much for the Web of Time to bear.

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Turn Turn Turn

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Review of Seasons of Fear (#30)
Big Finish Release Date: March 2002
Doctor/Companion: Eight, Charlotte “Charley” Pollard
Stars: Paul McGann, India Fisher
Preceding Story: The Chimes of Midnight (Eight, Charley)
Succeeding Story: Embrace the Darkness (Eight, Charley)

I’m not familiar with many of Paul Cornell’s stories, but Father’s Day and Human Nature / The Family of Blood are both interesting and nicely self-consistent narratives. Knowing that Cornell wrote this story with his wife Caroline Symcox therefore gave me an optimistic outlook.

But despite the fact that it began with a direct continuation of the longer plotline centering on Charley’s experiences—the impetus behind the choice of audios I’m currently consuming and reviewing—I was immediately put off by a stylistic decision by the writers. Rather than the usual “film with sound” format I’m accustomed to for an audio drama, we get a voiceover. The Doctor is narrating the events in retrospect, telling us about the first time he met a character who becomes integral to the plot of the entire play.

Although the reason for this approach becomes clear some two hours later, at the end of the story, I personally found it distracting. I’d be rolling along with the narrative as the Doctor and Charley grappled with whatever setback currently faced them, and the Doctor’s voice would roll in with exposition. It pulled me out of the story every time.

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Chills at All Hours

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Review of The Chimes of Midnight (#29)
Big Finish Release Date: February 2002
Doctor/Companion: Eight, Charlotte “Charley” Pollard
Stars: Paul McGann, India Fisher
Preceding Story: Invaders from Mars (Eight, Charley)
Succeeding Story: Seasons of Fear (Eight, Charley)

There’s something deceptively luxe about an audio drama. Because all the visuals happen in your own head, the production values are higher than anything one could ever hope to see on screen. It’s like the intersection between reading a fabulous book and watching a fantastic film.

The more Big Finish (BF) audios I listen to, the more I love the format. In part, it’s undoubtedly because I’ve taken recommendations and chosen some of the better adventures available, but I suspect that the quality doesn’t vary as drastically in this medium as with television. Those with broader audio experience can correct me if I’m wrong, but I’d be surprised to learn there was a BF equivalent of, say, Timelash that gets almost universally panned.

A review of a BF audio, then, comes down almost entirely to story. Certainly if there were a voice actor that grated on the nerves for some reason, that might be something to mention, but for the most part, all I can think to critique for my readers’ edification is the plot. Spoilerphobe that I am, this fact leaves me in a bit of a predicament.

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Launching a New Chapter

Review of Storm Warning (#16)
Big Finish Release Date: January 2001
Doctor/Companion: Eight, Charlotte “Charley” Pollard
Stars: Paul McGann, India Fisher
Preceding Story: The Mutant Phase (Five, Nyssa)
Succeeding Story: Sword of Orion (Eight, Charley)

Welcome to my new series of reviews! As of today, I’m officially adding Big Finish audio adventures to my repertoire. Bowing to the will of reader poll voters and using the advice of friend and podcaster Paul Greaves, I’m starting with Eighth Doctor Paul McGann’s first foray into audio.

I’ve heard Paul say, when asked, that he started fresh with his characterization of the Doctor when he began audio work. He’d not really had a chance to develop Eight much in The Movie, so it makes sense he’d jump at the chance to explore the character further. Every once in a while, I could hear a tinge of the Doctor of the TVM here, but for the most part, I have to concur that Eight is a “new man” on audio, and it’s a man I quite adore.

You may remember from my previous post about Big Finish that I’ve heard a few adventures before (most of the four series of Eighth Doctor Adventures, Dark Eyes (the first set; the second still awaits its turn in the earphones), and two or three individual stories with other Doctors). I’d also managed to get my paws on Storm Warning before—though it’s been a couple of years—so as I listened this time, I mostly knew what was coming.

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Best “Night” of My Life

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It may be an exaggeration, but saying that “Night of the Doctor” is the best thing Doctor Who has produced in years isn’t far off the truth. This seven-minute minisode has the online world of Who fandom in a tizzy, and rightly so. Before I go on, just watch it yourself:

 

There was only one thing I really wanted out of the 50th anniversary episode, and while I now know I won’t get it in the actual special, I’ve received it here. I couldn’t be happier. Well, I could, but not bloody much! They even managed to work in an explanation for the awful new glow-y regeneration mechanism. Now that’s good ret-con.

Thank you, Mr. Moffat!

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Keeping the Flame Alive

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Review of The Doctors Revisited – Eighth Doctor

In any rundown of all the Doctors, Paul McGann’s Eighth Doctor always seems to get the short end of the stick. The same is true here, as the eighth installment of Revisited is about a two-thirds the length of any of the previous episodes. Further, McGann himself is conspicuous in his absence, the only surviving Doctor actor to date not to appear in his own retrospective.


Source – bbc.co.uk – © 2013 BBC

Granted, since the series seems to be sticking tightly to televised stories—an oversight, in my opinion, since alternative media like audio adventures are where Eight really comes into his own—we can hardly have expected a long homage to a Doctor who only had 70 minutes on screen. Even bringing in Sylvester McCoy to discuss the regeneration barely padded things out.

However, Companion actors Daphne Ashbrook and Yee Jee Tso (who appeared in interview snippets, along with Steven Moffat, Marcus Wilson, and Nicholas Briggs) make a valiant effort to express to the audience why McGann’s Doctor, and The Movie as a whole, should be of interest to those (presumably primarily “new series” fans) who are as yet unfamiliar with them. Their fondness not only for McGann and the rest of the cast but also for the entirety of the story is clearly evident.

Focusing as always on the positive aspects of McGann’s run, rather than its admitted flaws, Revisited emphasizes the ways in which The Movie bridges the gap between pre- and post-Hiatus eras (as I’ve mentioned a couple of times before). For one thing, it involves a “proper handover,” as Moffat puts it, with an actual regeneration scene between the Seventh and Eighth Doctors, and McGann provides us with a persona recognizable as the Doctor because he uses quick wits to further his ends rather than brute force. Further, it introduced the idea that the Doctor might actually have a romantic side, with the at-the-time controversial first on-screen kiss.

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Nu-View #7: A Grace-ful Perspective

Doctor Who: The Movie  (Story #160, 1996)
Viewed 24 Apr 2012

Doctor/Companion: Eight, Grace Holloway, Chang Lee
Stars: Paul McGann, Daphne Ashbrook, Yee Jee Tso
Preceding Story: Survival (Seven, Ace)
Succeeding Story: Rose (Nine, Rose)
Notable Aspects:

  • We’ve seen it before!
  • Only on-screen appearance of Eight
  • Broadcast mid-Hiatus; only new TV story in that 16 years

It’s a new year for the Nu-Views! What a crazy few months this has been. Nearly a third of the way into the year and we finally managed to get the Ladies together again. Well, most of us; jO couldn’t make it. But we’re back in business, and hopefully there will be more frequent Nu-Views in the coming months.

With all my recent chatter about Gally (well… within the last couple of months; this it the first time we’ve been together since then!), I guess I shouldn’t have been surprised when jE requested we watch The Movie again. After all, even though I’d seen it some eight times before (~ahem~), they’d only seen it the once, and that was at the beginning of our WhoFest get-togethers, something like a year and a half ago. So, after spending some time regaling them with tales of Gallifrey One (if you haven’t read my posts yet, you can start here), we headed back to San Francisco, December 1999.

Vague memories began to emerge as the record skipped while the Doctor relaxed with his book and cuppa in the TARDIS. There were glimmers of recognition throughout, but much of it was like watching it for the first time again.

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Dashing and Debonair

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Review of the Eighth Doctor’s era

1996
The Movie

Given that my first DVD review for the blog was of The Movie, a lot of what I have to say about this particular story has already been said. However, here it is my intention to focus less on the plot and more on the characterization of the Doctor and the production context of the piece, to be consistent with my other commentaries on the various Doctors’ eras.

First off, I love that even though it was primarily an American production, those involved did everything possible to maintain continuity with the pre-Hiatus series. In no particular order, these ties include the Seal of Rassilon throughout the TARDIS (as seen during the eras of Four, Five, and Seven, at least); the use of jelly babies (Four); the Doctor reading Wells’ The Time Machine (he met Wells as Six); the pseudonym John Smith (Two, Three); the appearance of a long, striped scarf while Eight is finding clothes (Four); a classic first reaction to the TARDIS’ dimensional transcendence (everyone); the need to give the TARDIS console a bit of a konk to make it behave (many Doctors); and, most importantly, the regeneration from Seven (which actually doesn’t come until ~20 minutes in).

Sure, there are plenty of things that don’t quite sit right. But that’s going to happen when there are so many fingers in the pie, and some of those fingers are trying to stir up a more “American” flavor (a “car” chase? in Who? hmmm…). I could point out plot inconsistencies (like why would there be a tour of the operating arena at 10pm?), but that’s kind of below the belt. All eras of Who have that; you just have to ignore it.

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