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Tag: Daleks

The Most Important Woman in the Universe

Review of Turn Left / The Stolen Earth / Journey’s End

With this set of three episodes, we have reached the end of our Series Four journey (see what I did there?). While, if I’m being honest, I didn’t remember as many details from them as I thought I might, they are definitely, as a collective whole, the episodes that made the most lasting impression on me from this series.

In particular, Turn Left, the nominal single episode that leads directly into two-part series finale, stands out to me as one of the best episodes of the entire RTD1 era. Although it still has some flaws, like some regrettable Asian stereotyping (and at least one Chinese character that I’m pretty sure was only half a character, but I had to stop myself from further research to confirm my suspicion after the first fifteen minutes), it is overall a brilliant piece of television.

The whole premise is another take on the butterfly effect, this time focusing on how extremely important Donna is to the universe—or, in fact, the multiverse—as a whole. By changing one tiny decision, Donna alters the fate of all reality.

Before I talk about that cascade of events, I want to mention that one of the things I’d forgotten was how much the fortuneteller got Donna to spill. Without Donna verbally guiding her to the specific inflection point that could prevent her from ever meeting the Doctor, the fortuneteller never could have implemented her plan. (And here we find another flaw: what was the fortuneteller’s motivation? Was she hired by someone? Who?)

Resistance Is Vital

Review of The Dalek Invasion of Earth (#10)

DVD Release Date: 29 Jul 20
Original Air Date: 21 Nov – 26 Dec 1964
Doctors/Companions: One, Susan Foreman, Ian Chesterton, Barbara Wright
Stars: William Hartnell, Carole Ann Ford, William Russell, Jacqueline Hill
Preceding Story: Planet of Giants (One, Susan, Ian, Barbara)
Succeeding Story: The Rescue (One, Ian, Barbara, Vicki)

For once, during my rewatch for an entry in the Everything Else series, I found that the things I could spontaneously recall beforehand were both accurate and fairly important details. Although that recall was on the slow side, once I got my head in the right story space, a picture formed pretty easily: a “No Dumping” sign, cyber-ized humans, a bomb in the center of the earth [okay, that part was slightly mixed up], and Susan gets ditched.

The story opens with the TARDIS crew landing—finally!—in London. Ian and Barbara aren’t fussed about being off by a couple of years either way from their departure, but it soon becomes apparent that they’re actually 200 years in their future, in the year 2164. Worse, the world is in a post-apocalyptic state where the Daleks are the self-proclaimed “masters of Earth.”

Given that the adventure spans six episodes, it is unsurprising that our TARDIS crew of four soon gets split into two, then three, and even four groups. Each of our heroes make their own acquaintances and allies among the human resistance as they are chased, and sometimes captured, by the Daleks and their enslaved human “Robomen.”

After performing too well on an intelligence test (which serves as a reminder to the modern viewer that these episodes were first broadcast only a year into the show’s run, while it was still very much meant to be teaching history and/or science to a young audience), the Doctor is himself selected to be robotized. Luckily, our story arcs converge here and Barbara and Susan help bring the chaos that allows for a rescue.

One of the things that keeps this particular six-parter from dragging too much is the aforementioned splits and convergences of subsets of the TARDIS crew. More often than not, Ian gets to hare off by himself and do something heroic (par for the course) while the others each do their own thing. But we get more instances than usual of other party members having interesting experiences, too.

For one thing, Barbara gets to be even more badass than usual, driving some sort of tanker truck (conveniently stolen from a vehicle museum, in perfect working order) straight through a rank of Daleks. Her experiences with the Doctor serve her well in other sections of the story, too, allowing her to contribute important ideas and skills to a group or to devise her own plan of resistance to escape from Daleks and try to stop their plan.

Perhaps more obviously, though, Susan finally gets a little more screen time. Although her romance is not very well developed, writer Terry Nation at least gives it a jolly old try. He’s clearly not a romance writer, but he even takes it so far as to give Susan and David an on-screen kiss, which is vastly superior to the romantic endings some Companions have had (:cough: Leela :cough:).

And then we reach the iconic First Doctor speech. “One day, I shall come back,” he tells Susan, who he has locked out of the TARDIS to force her to stay on a ruined Earth with her new beau. “Yes, I shall come back. Until then, there must be no regrets, no tears, no anxieties. Just go forward in all your beliefs and prove to me that I am not mistaken in mine.”

I’ve always been kind of angry with the Doctor for treating Susan that way. But this time, somehow, it wasn’t as hard to swallow, and I’m not sure why that is the case. Perhaps this time I bought into Susan’s attachment to David more than I had before. Perhaps it’s just that I was expecting it, mulling the idea over in the back of my mind all along. Or perhaps I’ve just had that much more time to think about familial separation from both generational directions.

Whatever the case, I’ve come out the other side of this rewatch with an overall more positive impression of The Dalek Invasion of Earth. While there are still a few cringe-worthy “product of its time” moments, it’s a relatively solid story that speaks to both the continuing will to resist oppression and the mental and emotional exhaustion that come with that. It’s a good reminder that even though those in power might, like the Daleks, insist that “resistance is useless,” it is instead one of the most important—and human—experiences we can ever have.

The Power of Fan Service

Review of The Power of the Doctor
Warning: This review may contain episode-specific spoilers and wild speculation about future episodes.

There was nothing subtle about The Power of the Doctor. It was pure fan service, from start to finish. Some of it we knew about beforehand, and some of it came as a surprise—again and again—but it was blatantly obvious that showrunner Chris Chibnall wanted to check off every single item on his bucket list on the way out.

For the most part, I was happy to go along for the ride. Only in the final thirty seconds or so did I balk. (Yes, we’ll talk about that more, but under the cut.) It made me want to use my full-on Mom Voice: I’m not upset with you; just disappointed.

But let’s back up for a while, and leave that moment for later. First, let’s talk about the bonkers hour-and-a-half of Jodie Whittaker’s last episode in the lead role. This was Chris Chibnall’s ultimate fanfic moment; he threw in every plot thread and character he could think of (and book), and wrote a huge fix-it fic.

For those who may not be familiar with fanfic (I am only peripherally so, as I don’t read fic myself, though my kids do), the biggest purpose of the genre—as far as I can tell—is to tell the stories with beloved characters that the fan writer really wanted to see/read in the original media property, but was never given. (In other words, all of modern Who is basically fanfic of Classic Who, show-run by Classic fans.) And one sub-genre of fanfic is the “fix-it fic,” in which the fan writer fixes something that they felt was inherently wrong with the original.

In Pursuit of a Throughline

Review of The Chase (#16)

DVD Release Date: 29 Jul 20
Original Air Date: 22 May – 26 Jun 1965
Doctors/Companions: One, Ian Chesterton, Barbara Wright, Vicki
Stars: William Hartnell, William Russell, Jacqueline Hill, Maureen O’Brien
Preceding Story: The Space Museum (One, Ian, Barbara, Vicki)
Succeeding Story: The Time Meddler (One, Vicki, Steven)

Who really ever talks about The Chase? It’s one of those early-era stories that neither gets fans excited nor makes them cringe, so there is once again no surprise at finding it here in the ranks of Everything Else. Sure, it’s technically a Dalek story, but it barely feels like one to me. But perhaps I’ve simply missed its hidden charms over the years.

Truth be told, it’s been long enough since I last watched this one that I had barely any recollections of it at all. Before I sat down to view the six-episode adventure this time, all I could remember was broad strokes: Daleks pursuing the TARDIS, Peter Purves as not-Steven at the top of some tower in NYC (that would be the Empire State Building; thanks, brain), the (proper) introduction of Steven, the departure of Ian & Barbara, and—last but not least—the iconic photo of producer Verity Lambert at least pretending to try to light her cigarette with a Mechonoid’s flame-thrower arm.

Countdown to the End Game

Review of Eve of the Daleks
Warning: This review may contain episode-specific spoilers and wild speculation about future episodes.

Welcome to year 12 of the blog! I’m not sure how much longer I’ll continue to update (at least through the middle of 2023, but more on that in my second January post), but for now I’m looking forward to continuing to share the journey with you.

During the Thirteenth Doctor’s tenure, the tradition of a Christmas special has shifted to that of a New Year’s special. This year is no different, though we also get a special countdown to New Year’s in the deal.

In a shocking turn of events, at least on first viewing, the pre-credits sequence shows the Doctor and her friends bolting from the TARDIS as it does a self-reset, only to be confronted by Daleks—and summarily exterminated.

But we all know the Doctor can’t die here and now—she can’t even regenerate, since we know she’s got two more specials to go before that, and her replacement hasn’t been announced—so it’s not a complete surprise when the TARDIS team, not to mention their soon-to-be new acquaintances Sarah and Nick, are back. It’s a little surprising that everyone remembers having been exterminated, but that, of course, makes things all the more interesting.

Watch Out for the Kitchen Sink

Review of Flux: Once, Upon Time
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

Regardless of one’s opinion on how the series-long story as a whole is shaping up, one can’t deny that Flux is an ambitious project. And I appreciate the fact that every episode so far has felt like a different beast.

At the beginning, we had a “meet the new Companion in the midst of an Earth-based crisis” episode. Then we got an alien historical. Now it’s a futuristic mind-f***. Whatever the flavor-of-the-week is, it’s been different than the week before.

I am also impressed, as a fellow storyteller, at how Chibnall has woven so damn many plot threads together. After last week, there were only two from the first episode that still needed to get tied back in, but before we even got back to any of those eight, he introduced a ninth with “Bel’s Story.” And by the end of the episode, not only that thread and one of the two previously pending ones, but also a thread from the previous series had been incorporated into Flux. Now we just have Claire’s story to connect into this mess (and it looks like that will happen next week—but I’m getting ahead of myself).

More than any other Chibnall-penned episode, this one felt like it could’ve been written by Moffat. It was packed with plot points, and switched among the various threads so quickly a viewer could barely get their bearings before needing to change focus. Moffat has often used that method to great effect to keep the audience from noticing plot holes, but there is still so much of this story left to tell that it’s impossible to make a judgement yet about how well it all holds together.

Revolutionary Departure

Review of Revolution of the Daleks
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

Maybe I’m just feeling traumatized by all that 2020 threw at us and am thereby in a headspace where I am only prepared to find joy and not fault, but I was pleasantly surprised at how well the 2021 New Year’s special held up upon a second viewing.

Usually I can really enjoy a new Doctor Who episode on first viewing, but when I stop to reflect, particularly when I’m watching again and preparing a review, I find aspects that bother me on levels anywhere from mild annoyance to outright ruining the episode for me. (This is especially true of those written by Moffat, who specializes in pacing his stories so fast that you don’t have time to notice its flaws that first time.) This time, however, nothing killed the buzz.

Not to say I thought it was the best thing since sliced bread. I think I’m too numb these days to be that effusive. But since I didn’t go into the episode expecting great things—it was a holiday special; I wanted a romp, and that’s what I got—I didn’t come out disappointed. In fact, I came out feeling fairly impressed. Because the thing about Revolution of the Daleks is that its purpose, more than being a holiday special, was to be the farewell story for Ryan and Graham. And in that respect, it did a damn good job.

I think it’s fair to say at this point that the audience has become pretty inured to Daleks. (Terry Nation’s estate is doing no one any favors by insisting that Doctor Who use the damn things every calendar year in order to keep the usage rights.) Personally I kind of roll my eyes every time they show up again, so the entire Dalek storyline was very peripheral to my experience of this episode. What made the special special was the return of Captain Jack Harkness (as more than a teaser) and the ending of two Companions’ time in the TARDIS.

Confession #141: I’m Psyched for the New Year’s Special

No matter what part of the world one lives in, 2020 has been rough. Many of us are simply fighting for survival, whether our struggles are medical, financial, psychological, of some combination thereof. It’s easy to push things like art (however one defines that) to the background—it’s not important now; how could I waste my time on that; I’ve got to save my energy…

At the same time, though, art is what keeps us alive. Streaming services have been doing booming business as lockdowns and quarantines continue to stretch into an unknown future. People turn to various forms of art to help keep us sane—to films and television, tabletop and video games, books and comics and fanfics.

That’s why I’ve made room in my heart to get psyched for the upcoming Doctor Who holiday special. Perhaps you are, like me, well and truly sick of Daleks already (thanks so much to Terry Nation’s estate for making them a “use them at least once a year or lose the license” entity), but they’re not the only returning characters. When the official trailer for Revolution of the Daleks was released about a week and a half ago, we all learned that Captain Jack Harkness would be returning to our screens, and for more than a single scene.

Where It All Began

Review of The Daleks (#2)

DVD Release Date: 28 Mar 06
Original Air Date: 21 Dec 1963 – 01 Feb 1964
Doctors/Companions: One, Susan Foreman, Ian Chesterton, Barbara Wright
Stars: William Hartnell, Carole Ann Ford, William Russell, Jacqueline Hill
Preceding Story: An Unearthly Child (One, Susan, Ian, Barbara)
Succeeding Story: The Edge of Destruction (One, Susan, Ian, Barbara)

As fashions within fandom ebb and flow, and “received fan wisdom” dictates ever-changing opinions about various eras, it’s been my experience that many fans generally dismiss the First Doctor, particularly if they came to the show via the modern era. Yet very few of his adventures regularly rank in the bottom quartile of “best-of lists” like the io9 one I used as reference for my Bad Reputation series. So why don’t more fans appreciate what Hartnell’s Doctor has to offer?

I’m sure a lot of it is plain and simple disdain for the production values associated with television that’s nearly sixty years out of date. Since the first TV I remember in my childhood home was a black-and-white set, the style of the Hartnell era bothers me less than I suppose it does younger fans. But some of the storytelling, slow though it was by modern standards, was really interesting. More even than that, though, this month’s Hidden Gem is immensely important to the show as a whole, as it introduces one of the most iconic science fiction creatures of all time, the Daleks.

Fair warning, in case you want to watch this adventure for the first time: it is seven episodes long. That works out to a nearly three-hour run time, all told, so be sure to account for that in your viewing schedule. You may find you enjoy the experience more if you spread the episodes out over several days, unless you’re mostly looking for a way to fill endless hours stuck at home during your self-quarantine.

Tranquil Rewatch

Review of Revelation of the Daleks (#142)
DVD Release Date: 06 Jun 06
Original Air Date: 23 – 30 Mar 1985
Doctors/Companions: Six, Perpugilliam “Peri” Brown
Stars: Colin Baker, Nicola Bryant
Preceding Story: Timelash (Six, Peri)
Succeeding Story: The Mysterious Planet (Six, Peri)

Circumstances conspired against me again, and I was in no mood to appreciate even a Hidden Gem like Revelation of the Daleks when I sat down to rewatch it. Although I’ve come to appreciate Ol’ Sixie, he’s still among my least favorite Doctors to watch; I’ve gotten pretty tired of Daleks over the years; and to top it all off, I was fighting off a fever and sore throat.

Nevertheless, as the fog of obligation retreats, and I can reflect on it from the other side of that viewing, I find there are plenty of things to recommend Revelation. On a purely superficial level, for example, we have the Doctor’s coat-of-many-colors covered for most of the first 45-minute episode by a lovely blue cloak.

I’d also forgotten that this was Peri’s introduction to the Daleks. When she sees one roll past, then, she doesn’t immediately warn the Doctor of the danger; she merely calls out with startlement about “some sort of machinery.” To his credit, the Doctor doesn’t chastise her; he merely goes to investigate.

That point, in fact, is probably one of the best parts of the entire adventure, and one that didn’t even register as I was watching (a sure sign that I was not giving it my full attention—or at least not what would’ve been my full attention pre-pandemic). One of the most difficult things about the early parts of Colin Baker’s run is the way the writers had the Doctor and Peri at each other’s throats all the time. One of the reasons I love Mark of the Rani so much (aside from the Rani herself) is that the TARDIS team acts like they actually have affection for each other.