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The Caretaker, the Matriarch and the Disappointment

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Review of The Doctor, the Widow and the Wardrobe
Warning:  This review contains episode-specific spoilers and wild speculation about future episodes.

Let me say right up front that this was my favorite Christmas Special to date. Despite being fully engaged and along for the ride almost the whole way through, though, I found myself ripped out of the moment and slammed back into my seat with my Critic’s Hat jammed tight on my head by the predictable and saccharine crowning plot twist. But I’ll get back to that later.


Source – bbc.co.uk – © 2011 BBC

TDtWatW got off to a strong start with a wonderfully irrelevant introduction sequence. It gave us yet another glimpse at what the Doctor gets up to when he’s not traveling with a Companion (or even just when we don’t see him on screen). Although it was patently ridiculous (as some of the best Who is), the Doctor’s “entrance” and our introduction to Madge give us a beautiful snapshot of her personality, and set us up to suspend our disbelief quite willingly through the rest of the hour.

Her eventual heartbreak at losing her husband (c’mon – that’s hardly a spoiler; the title says “Widow”!) and the way she choses to approach that with her children provide some of the most “real” and emotionally engaging television I’ve seen in a long time (again; more later). Thus we’re set up with another family separated by wartime, ready to walk into one of the Doctor’s good deeds gone wrong.

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A Dickens of a Good Time

Review of A Christmas Carol

Try as I might, I cannot find a way to make “Christmassy-wistmassy” sound good in a sentence.  But how else do you accurately describe the action in A Christmas Carol, which is simultaneously about as timey-wimey as we’ve seen and also unrelentingly inspired by the holiday season (and, more specifically, by its namesake)?  After a somewhat shaky start (“Christmas is canceled!”? What kind of rubbish line is that?), the episode turns rollicksome and barely pauses for breath.  Little details made me smile before the story really even began.  I mean, how can you not love Amy & Rory’s discomfiture at being caught with their barely-metaphorical pants down?  And after all that happened last series, it’s brilliant finally to see Arthur Darvill’s name in the credits.

From the title down, the whole episode is deliberately Dickensian – the Doctor himself makes a conscious decision to mimic the story when his answer to Amy’s query changes from “a Christmas carol” to “A Christmas Carol”.  Thus it’s no surprise right off to hear Kazran’s rant (“I call it expecting something for nothing!”) so closely echo Scrooge’s complaint that Christmas is “a poor excuse for picking a man’s pocket every twenty-fifth of December!”  It’s almost like a game to find as many references as you can, though perhaps it would be wise to stop before you started counting every little quasi-Victorian detail on the set.

While I’m on the topic of minutiae, I may as well mention the Doctor’s new jacket; his fabulous entrance; and the way he continues to be as frenetic as ever, delivering viciously funny lines that are all too easy to miss while you’re still laughing at the last one.  (A few of those – like the whole bit about the face spider – feel like something Moffat couldn’t bear to leave on his Wonderfully Scary Ideas clipboard despite the fact they wouldn’t support a stand-alone episode.)

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