I joked with a friend that today’s blog post would be short and sweet: “Sunday I spent all day in Program A. The end.” While that’s an accurate summary, though, it’s neither interesting to read nor anywhere near complete.
Because of the timing of our Tin Litter photo with Paul McGann on Saturday, we’d had to miss the Billie Piper interview panel. So around 9:30, I went down to see if I could get in to the repeat panel that started at 10. There’s no reason I should have expected anything else, but I was still slightly bemused to come across a huge line snaking around outside the ballroom and onto the patio. When I got in line, we were already up the ramp toward the driveway; by the time the line began to move, there were probably at least half as many people behind me as in front of me.
Seeing Billie was lovely. She didn’t take herself too seriously, told some fun stories, and just generally gave us all a sense of her real personality. Similarly, Arthur Darvill, whose panel followed, came across as a very real and approachable person, even if the conversation went off the rails pretty early on.
In the long tradition of poaching better seats as the ballroom clears, I’d moved up to the fourth row by the time the day’s third panel began. This one, called “Variations on a Theme,” was an interview with composer Dominic Glynn, who is responsible for the theme music for Season 23 (Trial of a Time Lord) and the incidental music for several Sixth and Seventh Doctor adventures. The highlight of the panel was the last few minutes, when he performed a live remix of the theme tune, never before performed, and created especially for Gallifrey One. I only wish I could have seen it from the stage side, to watch the screen of his Mac as he mixed.