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A Good Dalek (Episode)

Review of Into the Dalek
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

If you’d told me a month ago that one of the episodes of this series would be The Invisible Enemy meets Dalek, I’d have been, shall we say, dubious at best. Yet that’s what we got in Into the Dalek, and I have to say I think it worked.

The very fact that I’m willing to mention this episode in the same breath with Dalek, a personal favorite from the post-Hiatus era, tells you something about how much I enjoyed it. Granted, is was not completely flawless (though to be honest, I doubt such a beast exists), but it was, for me, certainly one of the best since Moffat took over as showrunner.

Yet while the main conceit of the episode—literally getting inside a Dalek’s head—is new and therefore interesting, it was not, in fact, the driving force of the story. Instead, it’s a character piece.

Most of the character development is for our new Doctor. We the audience are still getting to know him (as is Clara and, let’s be honest, he is himself), so this is important stuff for us to see. And I was fascinated to realize both that I like Twelve less than I did in his debut, and that I find him an infinitely more interesting character than most of his predecessors. This distinction is important to me, so let me put it another way to be sure I’m making myself clear: this Doctor is not nice, but I adore him.

Exhale

Review of Deep Breath
Warning: This review contains episode-specific spoilers and wild speculation about future episodes.

The new Doctor has officially arrived, and I can release the anticipatory breath. My biggest fear was that Capaldi would not live up to all my expectations. That one, at least, I can put to rest.

As for the remainder of the episode… Well, let’s just say the more things change, the more they stay the same.

It’s a series opener, so we all knew before the list of titles, writers, and directors was released that this was going to be a Moffat story. I had my fingers crossed, but it came out true to form. On my first viewing, I really enjoyed it; certain details niggled at me, but I was able to ignore them and enjoy the ride. On second and later viewings, the flaws started to do more than niggle, and it became ever more difficult to enjoy certain scenes. That, for me, is the classic Moffat signature.

Before I go any further, let me be clear: I thought Capaldi’s Twelve was bloody brilliant. I love him already. He was everything I hoped for (with the possible exception of some overly friendly chatting up of a lonely female T. rex), and I can’t wait to see more of him.

Clara, however, was a mixed bag for me. On the one hand, she really stepped up her game, executing a very Doctor-ly bluff-calling when set against the Half-Face Man (more on that later) and standing up to Vastra. On the other, she—the Impossible Girl, who had saved the Doctor time and again in his many incarnations—couldn’t get over the fact that he wasn’t the same man anymore. On the whole, I think she came out net positive for me (her improvements outweighing the backsliding), and I’m hoping she continues to grow into a character I could miss.

Confession #67: I Won’t Be Sad to See the Back of Clara

This past weekend, just days before the first episode of Series Eight is to air, rumors started to surface that Companion actress Jenna Coleman (Clara Oswald) would leave the show at the end of the series (specifically, at Christmas). Should the rumors prove true, Clara’s departure comes sooner than I would have anticipated, but I can’t honestly say I’ll be sad to see her go.

That’s not to say I actively dislike the character, and I certainly think Jenna has done well with what she’s been given. I simply have never taken to her. As long as two years ago, before she even arrived on the scene, I was disinclined to enjoy Clara’s turn in the TARDIS. As I pointed out at the time, she’s yet another in a long line of 21st Century Brits to tag along with the Doctor, and it’s getting tiresome.

Once she had a chance to show her personality, though, she… barely had one. No, that’s not fair. Clara’s got a personality; what she doesn’t have is agency. The character’s entire raison d’être is dependent on the well being of someone else (“I was born to save the Doctor”). From a narrative standpoint, she’s only there—just like Amy was in Series Five—as a mystery for the Doctor to unravel (the Impossible Girl).

Nu-View #20: Brave New Worlds

New Earth / Tooth and Claw (Series Two, Eps. 1-2; 2006)
Viewed 05 Aug 2014

Doctor/Companion: Ten, Rose Tyler
Stars: David Tennant, Billie Piper
Preceding Story: The Christmas Invasion (Ten, Rose)
Succeeding Story: School Reunion (Ten, Rose, Sarah Jane Smith)

Our latest WhoFest was meant to be the first in my new home. The depressing fact that it wasn’t (and that our move is rapidly receding into the realm of myth) was somewhat alleviated by jO’s return to the fold after an extended absence.

The early, jaunty Ten had been similarly absent from all of our Who viewing in recent years. “Look how young he looks!” exclaims jO. “When was this?”

I remind the Ladies that Series Two went out in 2006, and jE summarizes our common reaction perfectly: “We’re getting old.”

Old we may be, but at least we’re not hanging onto our youth in sheer desperation like Cassandra. And she’s a crafty one, redirecting Rose to her lair for her own nefarious purposes. “[Rose] knows she’s not on Ward 26,” observes jE. “Why doesn’t she just get right back in the lift?” It’s one of several plotting flaws we notice this evening.

I found it interesting to realize how I always think of this story as having a lot of Zoë Wanamaker (Cassandra) in it, when she actually only plays the character for a few minutes. With all the body-swapping, even Sean Gallagher (Chip) spent nearly as much time as Cassandra as Wanamaker did. And, by the way, kudos to Gallagher; Chip was a physically awkward character to play, especially running through corridors with his arms straight down at his sides.

Turn Turn Turn

Review of Seasons of Fear (#30)
Big Finish Release Date: March 2002
Doctor/Companion: Eight, Charlotte “Charley” Pollard
Stars: Paul McGann, India Fisher
Preceding Story: The Chimes of Midnight (Eight, Charley)
Succeeding Story: Embrace the Darkness (Eight, Charley)

I’m not familiar with many of Paul Cornell’s stories, but Father’s Day and Human Nature / The Family of Blood are both interesting and nicely self-consistent narratives. Knowing that Cornell wrote this story with his wife Caroline Symcox therefore gave me an optimistic outlook.

But despite the fact that it began with a direct continuation of the longer plotline centering on Charley’s experiences—the impetus behind the choice of audios I’m currently consuming and reviewing—I was immediately put off by a stylistic decision by the writers. Rather than the usual “film with sound” format I’m accustomed to for an audio drama, we get a voiceover. The Doctor is narrating the events in retrospect, telling us about the first time he met a character who becomes integral to the plot of the entire play.

Although the reason for this approach becomes clear some two hours later, at the end of the story, I personally found it distracting. I’d be rolling along with the narrative as the Doctor and Charley grappled with whatever setback currently faced them, and the Doctor’s voice would roll in with exposition. It pulled me out of the story every time.

Confession #66: I Need a TARDIS

I know everybody talks about needing a TARDIS so they can do everything they want to get done in their busy lives. I’ve said that on many an occasion myself (though perhaps a Time-Turner like Hermione used in Harry Potter and the Prisoner of Azkaban would be more appropriate for venues like Gallifrey One). Nothing new there.

But I need a TARDIS for the storage space.

Seriously—why can’t I rent a storage locker that takes up 5’x10′ in the building floor plan, but is actually the size of my house? Taking decades’ worth of accumulated crap (some of it more crappy than others) and whittling it down into a space small enough to be transported 4 or 5 miles (~7 km) across town is a mighty endeavor. If I didn’t have to worry about cramming it all into a volume the size of a single room (or even three), I’d be much less stressed out right now.

And being able to store it all right in the vehicle that would haul it? Bonus!

Chills at All Hours

Review of The Chimes of Midnight (#29)
Big Finish Release Date: February 2002
Doctor/Companion: Eight, Charlotte “Charley” Pollard
Stars: Paul McGann, India Fisher
Preceding Story: Invaders from Mars (Eight, Charley)
Succeeding Story: Seasons of Fear (Eight, Charley)

There’s something deceptively luxe about an audio drama. Because all the visuals happen in your own head, the production values are higher than anything one could ever hope to see on screen. It’s like the intersection between reading a fabulous book and watching a fantastic film.

The more Big Finish (BF) audios I listen to, the more I love the format. In part, it’s undoubtedly because I’ve taken recommendations and chosen some of the better adventures available, but I suspect that the quality doesn’t vary as drastically in this medium as with television. Those with broader audio experience can correct me if I’m wrong, but I’d be surprised to learn there was a BF equivalent of, say, Timelash that gets almost universally panned.

A review of a BF audio, then, comes down almost entirely to story. Certainly if there were a voice actor that grated on the nerves for some reason, that might be something to mention, but for the most part, all I can think to critique for my readers’ edification is the plot. Spoilerphobe that I am, this fact leaves me in a bit of a predicament.

Nu-View #19: Enter Number Ten

The Christmas Invasion (Series Two, Ep. 0; 2005)
Viewed 08 Jul 2014

Doctor/Companion: Ten, Rose Tyler
Stars: David Tennant, Billie Piper
Preceding Story: The Parting of the Ways (Nine, Rose)
Succeeding Story: New Earth (Ten, Rose)

As the Ladies gather one last time at the current Chez Neowhovian, the impending move to a new house is top on everyone’s mind. Next time we get together (hopefully jO will finally be able to join us again; it’s been too long!), we’ll be at a completely new place.

We barely even mention in passing that we’ve tried before to watch this episode (though there’s a little muttering about it as Mickey shushes his coworkers to listen more carefully to the TARDIS materializing). The next thing we know, Jackie’s delivering the classic joke line (“Doctor who?”) and the opening credits crash across the screen.

Poor Mickey is still getting the short end of the stick. “Can you just let it be Christmas?” he begs Rose. “Not so much,” jE answers for her. On screen, Rose herself is trying a little harder, nodding acquiescence.

“You promise?”

“Yeah,” she assures him.

“Well, yeah, until the life or death stuff,” amends jE. “Then I’ll renege on my promise.” And so it goes.

Confession #65: I’m Not (Just) a Neowhovian

Last weekend I had the wonderful opportunity to attend a local general-SFF convention called CONvergence. I understand it’s pretty well known, even outside the Twin Cities, and Who writer Paul Cornell (also a perennial guest at Gally) tweeted some pretty complimentary things, too. I suspect at least a few of my readers have heard of it, if not attended it themselves.

This being another one of those tricky in-town cons for me (complicated by the fact that we are in the throes of packing up to move house), I dashed in and out of the con again, getting only the tiniest taste of the experience. Each of the four days, I attended only one or two panels, including Cornell’s “Advanced Cricket for Americans” masterclass on Friday afternoon. (What’s more American than playing cricket on Independence Day? Errr…..)

What really threw me off, though, was that I am still very much a newb where cons are concerned; this was my first broad-spectrum con (as opposed to a dedicated Who con). Not only was it much larger than any other I’ve attended (about twice the size of Gally), but it was packed to the gills with other fandoms.

Confession #64: I’m Nervous About August

This week we finally got a formal announcement that the first episode of Series 8 will go out on 23 August (as several fans had already surmised). While I’m still looking forward to Capaldi as our new Doctor, I’m getting really nervous about what the series has in store.

I’ll admit, a lot of it has to do with Moffat remaining at the helm. When the Grand Moff first came on board, I was pretty psyched. I’d really enjoyed his episodes under RTD, and figured we were in for some great storytelling. Three series later, though, I’m long since ready for him to move on. (This week’s other news—that Moffat is staying at least through Series 9—thus had me grinding my teeth.) The real question, though, is whether the change in lead will yield any change in either tone or structure of the stories being told.

Capaldi himself has been in the business a long time, and as a life-long Doctor Who fan (like Moffat), has his own ideas about what is or is not Doctor-ish. I can’t help but wonder whether or not these two facts will allow Capaldi the confidence to push back against Moffat. Something about Matt Smith makes me doubt he would ever have dreamed of second-guessing the man. I can only hope having someone equally knowledgeable of the Doctor’s history might rein in this show-runner.

Because seriously—it’s time for some new tropes.