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Confession #90: I’ve Underrated Martha

Martha Jones came on the scene at an awkward time—awkward for me, that is. The way I was introduced to the show, I had zero time to process the loss of my first Companion before another was thrust upon me, and I was not ready to move on. Sort of like the Doctor, then, I didn’t really give her a fair shake. She didn’t get the affection and respect from me that the character really deserved.

As I look back on her time in the TARDIS, though, I realize that I really have given Martha short shrift. Just by being there, by taking up space on screen and refusing to be shoved aside, she did more for representation of diversity than anyone else in the show’s history.

It’s not just her existence as a black Companion that makes her significant (and a better character than I’ve been able to internalize before); she has some brilliant moments that turn the old, comfortable “standard operating procedure” on its ear.

Confession #89: I Like Obscure Species

It’s fairly safe to say that anyone who calls themselves a fan of Doctor Who knows about Daleks, Cybermen, and Weeping Angels. Most have probably at least heard of Sontarans, Autons, the Ood, and the Silents, too. But with a series history over fifty years long, there have been a vast number of species introduced, of which many only make brief appearances. For most of them, one would likely have to watch multiple times even to catch their names.

Creatures of various ilk are a hallmark of the show, and one can’t help but speculate that writers sit around trying to out-weird each other with their creations. Sometimes there’s probably a hope in the back (or even forefront, in a few documented cases) of their minds that their new monster will be the next big hit, the next Daleks.

Mostly, though, these aliens are simply the means to an end—a way to tell the best story the writer knows how to tell at that moment. They serve one particular purpose, and then they’re never seen again. It’s some of these obscure species that I find charmingly bizarre.

Confession #88: I See History Happening

I don’t know about you, but I usually enjoy those little moments when the Doctor talks about (what is to us) historical Earth and gives his own interpretation of the significance of the culture or event in question. Granted, the focus is usually weighted rather heavily toward Western history and cultures in centuries past and British history for more recent events, but it’s still fun to try to put oneself in the place of a member of an alien species, and imagine how he might interpret it all differently.

What do you suppose the Doctor thinks about the current era?

I know he never says much about American history, but it’s been a remarkably newsworthy couple of weeks here in the States. With both advances and setbacks, I’ve had a familiar feeling recently; the same feeling I had on the morning of 11 Sep 2011—the one that says, “we’re watching history in the making.”

For those who haven’t seen the same news reports I have, here’s what I’m talking about. The Supreme Court of the United States (SCOTUS) handed down some key rulings last week. Whether or not you agree with the Court’s position, I don’t t think anyone can successfully argue that these decisions are not important to the future direction of the country.

Confession #87: I Hate Best/Worst Polls

How many times have we seen it: “All the Doctors, Ranked Best to Worst” (or “Worst to Best”)? Every fan will have their own preferences, and that’s as it should be; different strokes for different folks, and all that. But to try to codify any one viewpoint by publishing it for the world to see makes no sense to me at all.

I mean, what can one possibly hope to accomplish? Unless your goal is to get people arguing with you on the Internet (and I’ll grant that for some, there appears to be no greater pleasure), you can’t win. No matter who the article writer’s personal #1 turns out to be, somebody’s gonna come away pissed. “They call that idiot ‘best’?” “How could you rank my fave at #5?” At best, you find the one or two other fans who are in complete agreement with your opinions of every Doctor; at worst, you get death (or other) threats.

Instead of trying to do something so controversial (and, frankly, impossible—not only do my opinions change from day to day, but it’s kind of like choosing your favorite child/pet/other loved one), I thus thought I’d spend a little space sharing my thoughts on why each Doctor is awesome in his own way. Though I’m sorry—if you want to see either Peter Cushing’s version or “the War Doctor” discussed, you’ll have to peruse a different blog (although that could be a different post; stay tuned).

Confession #86: I Love “Children of Earth”

Over the past few months—between Gally in February and CONsole Room at the end of May—I’ve been re-watching Torchwood (TW). It had been a while, and I honestly can’t remember whether I’d even watched any of them more than once before this. But the plethora of TW guests at Gally inspired me to re-familiarize myself with the show; as an added bonus, I got to meet an additional cast member at CONsole Room.

Knowing something of what I was getting into going in, I found the first series more enjoyable than I had remembered. My particular preferences hadn’t really changed—there are still one or two specific episodes I think are stinkers, including one that everyone else seems to love—but it was fun getting to know the team again, watching how their relationships grew and evolved.

Clearly, there are plenty of examples in Series One of the writers trying a little too hard to separate TW from Doctor Who (DW), and demonstrate how “adult” it was compared to its parent show. There are distinct growing pains, as everyone struggled to find their footing and determine just what this show should (or could) be.

Confession #85: I Need a Dimensionally Transcendental House

Having just spent the last week packing up a ridiculous amount of accumulated crap, signing bunches of paperwork, and then unpacking some but good-god-nowhere-near-all-of-it-why-oh-why-do-we-still-have-all-this stuff, I’m starting to see a real advantage to spending one’s centuries in a TARDIS.

As we’ve moved house, we’ve stumbled across a whole lot of keepsakes that we’ve held on to for a vast stretch of years. They’re the kinds of things that when originally packed had too much meaning to let go, but have remained in boxes for so long that meaning may or may not have since faded. Sorting will take a redonkulous amount of time and effort.

I suspect the TARDIS is littered with such shelves and boxes, a collection that the Doctor has never bothered to curate. Hints at that tendency abound. For example, at least a couple separate times we’ve seen a wardrobe area littered with clothing from bygone Regenerations (and I doubt the Doctor even knows what all is lurking in the rooms filled with clothing his Companions have—or could have—used). And when Clara was lost in the depths during Journey to the Centre of the TARDIS, we saw an array of memorabilia (such as the pinwheel that was in young Amelia Pond’s yard in The Eleventh Hour) suggestive of packrat tendencies I know all too well.

Confession #84: I Like Unusual Colors

What if monsters came in a range of rainbow colors?

There’s an old saw in Doctor Who circles, apparently going back to the thirtieth anniversary documentary “More Than 30 Years in the TARDIS” (and perhaps the originally broadcast version, which lacked the “More Than”), when long-time script editor Terrance Dicks famously pointed out a de facto trend in design on the show: “The colour for monsters is green.”

It sounds a little odd, stated baldly that way, but upon reflection it’s clearly true. There are the Silurians and Sea Devils, Alpha Centauri, the Draconians, the Krynoids, the Rutans, the Jagaroth… The list goes on and on. And if any of the aforementioned can be argued to be anything other than green, it’s a muddy brown instead.

Occasionally we’ll see something further into the red part of the spectrum—the Zygons, for example—but other hues are distinctly lacking. Where are the bright yellow critters, or the blue ones? I guess we’ve had the golden Axonites in The Claws of Axos and the occasional blue-faced humanoid (e.g., Dorium Maldovar), but in the grand scheme of things, the pre-Hiatus palette in particular definitely trends to green.

Confession #83: I Kinda Like Torchwood

Everything’s coming up Torchwood lately.

First there were a plethora of Torchwood guests at Gally. (By the way, I offer my condolences to all of you who suffered the same abject terror as I on Monday when their registration vendor choked mightily under the onslaught of desperate nerds trying to get 2016 tickets. I hope you are all able to get the tickets you intended.) Then I decided to start re-watching the show (well, the first three series anyway—”Miracle Day” is total retcon-bait in my book). And just this week, Big Finish has announced the return of Torchwood with all new stories on audio.

Torchwood is an odd beast. It took a while to find its stride, trying a bit too hard in those early episodes to establish itself as a post-watershed show distinct from its parent, with as much sex (both different- and same-gender) thrown in as it could manage. Eventually, though, it explored some interesting themes about memory, loyalty, and all kinds of love (romantic, familial, and friendly).

Confession #82: I Still Like Murray Gold

Every now and again, I indulge myself and sit down to watch some Ninth Doctor story or another, letting the nostalgia wash over me. From the moment I hear that sting slide into the first, triumphant downbeat, something in my heart lifts in a way no other version of the theme song can evoke. Over the past ten years, composer Murray Gold has produced a half dozen or more versions of the title theme, incidental music for every episode, and musical cues for a multitude of characters, and I’m still not sick of him.

Not to say there aren’t moments I wouldn’t mind a change, especially when the sound mixers decide to allow Gold’s work to stomp all over the dialog, but generally speaking I quite like the way he scores the show. Aside from that first version of the title theme (still my favorite), I especially love the way just a bar or two of a particular melody—sometimes less—instantly reminds me of a specific character.

Each Doctor has had his own theme, though the ethereal oo-ooh’ing one created for Eccleston’s Ninth Doctor was shared with Tennant’s Tenth before its tone was modified. And though not every Doctor’s theme has been immediately obvious to the audience as such, it doesn’t take long for even a snippet of a particular melody to become inextricably linked with its Doctor. How many fans, for example, can listen to “I Am the Doctor” without immediately envisioning Smith’s Eleven?

Confession #81: I Want Certain Retcons

Continuity is a tricky thing in Doctor Who. Due to the nature of the beast, with a plethora of writers contributing to the “canon” (a loaded, debatable term), contradictions abound. For large things, like humanity becoming aware of non-Terrestrial life, a showrunner will usually find a way to smooth over the issue with a clever (or not-so-clever) retcon. A few such instances were highlighted recently in an article at the Houston Press.

However, sometimes rather egregious inconsistencies remain unaddressed. Other times, writers throw in ideas that some fans simply find distasteful (while others, of course, couldn’t care less). There is at least one of the former category—and several of the latter—that still irritate me. Here are some of the blips in the Doctor’s adventures I’d like to see sorted.

I’ll start with the actual discontinuity, which involves the Blinovich Limitation Effect (BLE). First mentioned in Day of the Daleks, and later in Invasion of the Dinosaurs, the BLE began as a vague hand wave to explain (without explaining) why our heroes couldn’t simply go back and try again and again if they failed their mission the first time. Later, in Mawdryn Undead, we learned that an extension (or corollary, perhaps) of the Effect meant that if two versions of the same individual from different points on their personal timeline were to touch, there could be catastrophic effects.