Four

Confession #21: I Believe in the 13 Regeneration Limit

Mar
14

Common fan knowledge puts a Time Lord's Regeneration limit at 13. That is, a Time Lord can regenerate twelve times for a total of thirteen Regenerations (or incarnations). A couple of years ago, Russell T. Davies (RTD), the man greatly responsible for bringing Doctor Who back to our screens in 2005, once again added his own particular brand of fan-geekery to the mix, trying to show everyone in yet another way that he "knows better" than us.

In an episode of The Sarah Jane Adventures called "The Death of the Doctor," Eleven ends up visiting Sarah Jane and her gang again. SJS-Companion Clyde, who previously met Ten, is stunned to see this regeneration thing for himself. Whilst peppering the Doctor with questions ("Can you change color, or are you always white?" "No. I can be anything."), he asks how often the Doctor can regenerate. The answer is a quick and flippant "five hundred and seven."

Apparently, RTD thought that was a hoot. He could casually rewrite decades of "canon" (whatever that means) with a so-funny-he-makes-everyone-who's-RTD-laugh line. Here's what he has to say on the whole number-of-regenerations question:

There's a fascinating academic study to be made out of how some facts stick and some don't – how Jon Pertwee's Doctor could say he was thousands of years old, and no-one listens to that*, and yet someone once says he's only got thirteen lives, and it becomes lore. It's really interesting, I think. That's why I'm quite serious that that 507 thing won't stick, because the 13 is too deeply ingrained in the public consciousness. But how? How did that get there? It's fascinating, it's really weird.

*Let's not get into RTD's own obvious ignorance/ignore-ance of the Doctor's age.

Personally, I don't think it's weird at all. And here's why.

Categories: 

Pub Kraal

Jan
18

Review of The Android Invasion (#83)
DVD Release Date:  10 Jan 12
Original Air Date:  22 Nov - 13 Dec 1975
Doctor/Companion:  Four, Sarah Jane Smith
Stars:  Tom Baker, Elisabeth Sladen
Preceding StoryPyramids of Mars (Four, Sarah Jane)
Succeeding Story:  The Brain of Morbius (Four, Sarah Jane)

We don't often get to see a non-Dalek Who story by Terry Nation, but this is one of those times. It's clear he's got a good sense of plotting, and loves a good action scene. He also does a lovely job with a rather unexpected twist (as well as a couple of obvious ones). So right off, there's some pedigree to recommend The Android Invasion.

Then there are the androids themselves. Maybe because it's one of those idyllic English villages at the center of things, but the creepy behavior of the "villagers" in the local pub can really get under your skin. I suppose there's a bit of the Uncanny Valley at work. There is, of course, one very well-known doppelgänger to watch out for (if you aren't familiar with the face-falls-off-the-android scene to which I refer, I won't spoil it further for you), and the performances of the individuals who have to be androids are actually quite well done.

In contrast, the poor actors forced to play the Kraals (the aliens of the piece) have to put up with heavy rubber masks that had to have been nigh-impossible to move (let alone act) in. Their obvious artificiality scupper any credence the Kraals had as a force to be reckoned with, and stretch the believability of pieces of the larger plot thereby.

Categories: 

Flippant and Compelled

Dec
28

Review of the Fourth Doctor's era, Part 2

1978 - 1981
The Ribos Operation
The Pirate Planet
The Stones of Blood
The Androids of Tara
The Power of Kroll
The Armageddon Factor
 
Destiny of the Daleks
City of Death
The Creature from the Pit
Nightmare of Eden
The Horns of Nimon
Shada*
 
The Leisure Hive
Meglos
Full Circle
State of Decay
Warriors' Gate
The Keeper of Traken
Logopolis
*Due to a labor strike, filming for this story was never completed.

During his later years, Four seemed to mellow a bit. There were no longer the angry outbursts that could occasionally surprise us with their vehemence; instead, he was jocular even to the point of flippancy. The silliness seemed especially rampant in his adventures with Romana II, perhaps because she seemed especially inclined to dish it back to him deadpan (after she gets past the residual helplessness that plagued her earlier Regeneration). As such, the second part of his run feels more light-hearted, up to the last season.

Much is unchanged; after all, it's the same incarnation, just new Companions and adventures. He continues to pooh-pooh their input, especially K9's ("Oh, shut up, K9!") and still gets to be A Little Bit Fabulous, engaging in the occasional swashbuckling and often doing his damnedest to be the Cleverest One in the Room. There are a few bits of continuing character development (or, should I say, Regeneration development) just in the way he interacts with others. For instance, he taunts his enemies (particularly the Daleks, whom he gives grief about not being able to climb), tries frequently to go on holiday (without much luck), and gets a bit snippy about his age. He seems to revel in quoting (or misquoting) Earth literature and other memes, directing a local to "take me to your leader" at least once.

Categories: 

Manic and Menacing

Dec
21

Review of the Fourth Doctor's era, Part 1

1975* - 1978
Robot
The Ark in Space
The Sontaran Experiment
Genesis of the Daleks
Revenge of the Cybermen
 
Terror of the Zygons
Planet of Evil
Pyramids of Mars
The Android Invasion
The Brain of Morbius
The Seeds of Doom
The Masque of Mandragora
The Hand of Fear
The Deadly Assassin
The Face of Evil
The Robots of Death
The Talons of Weng-Chiang
  Horror of Fang Rock
The Invisible Enemy
Image of the Fendahl
The Sun Makers
Underworld
The Invasion of Time
 
*Only the first episode of Robot aired before 1975, on 28 Dec 1974.

After a brief pause for Eleven, I got right back in the marathon saddle with Four. Three had had the longest run yet (five seasons), and Tom Baker was relatively unknown when he came into the role. People weren't too sure they were going to like this new guy. Of course, as you probably already know, he went on to become the most popular Doctor of all time (until Tennant became Ten, if you believe certain polls), as well as the  longest-running, with a total of seven series to his credit.

From the get-go, Four was a bit off-the-wall (witness the costumes he presented to the Brigadier as possibilities before settling on his well-known look). With his huge, toothy grin and unruly curls, he came across as an even bigger clown than the Cosmic Hobo (Two), but there was steel beneath that outer veneer. We get frequent glimpses of the deep-seated rage that bubbles out more frequently in his post-Hiatus personas - Four is not afraid to let his exasperation with intolerance and incompetence turn to anger. He doesn't suffer fools gladly, and it can be a bit frightening.

This incarnation shows a fairly dichotomous attitude toward his Companions, too. On the one hand, he'll gladly refer to Sarah Jane (and later, Leela) as his "best friend"; on the other, he'll pooh-pooh their requests for his attention, always assuming that whatever he's thinking about is clearly more important than anything his Companion might add. Irritatingly enough, during his first series, Four's attitude includes a chauvinistic throwback to One's era as he'll brush off Sarah Jane and nearly defer to Harry, who becomes a sort of latter-day Ian - a dashing, young hero whose capability tends to overshadow the female Companions, if not the Doctor himself.

Categories: 

Conceptual Gumbo - Just Add Salt

Oct
19

Review of The Talons of Weng-Chiang: SE (#91)

DVD Release Date:  11 Oct 11
Original Air Date:  26 Feb - 02 Apr 1977
Doctor/Companion:  Four, Leela
Stars:  Tom Baker, Louise Jameson
Preceding StoryThe Robots of Death (Four, Leela)
Succeeding Story:  Horror of Fang Rock (Four, Leela)

This release is unusual for me in that it involves a story I'd already watched (albeit only once). It was interesting to go through it again with not only much more experience of the Whoniverse but also a memory of both the storyline and my initial reactions. With a bit more perspective, I came away with a new appreciation for Talons and an understanding of the fondness so many Long Term Fans have for it.

For anyone new to the story, let me just throw out the one thing that really bothered me on first viewing: the main Chinese character (Li H'sen Chang) is played by a (Caucasian) British actor (John Bennett). That and the fact that the titular deity (who was, by the by, actually a god of culture and literature) was pronounced "weng chai-ang" - like a coffeehouse drink - rather than a more nearly correct "wen ch[ah]ng" - with an [ah] as in "father" - very much rubbed me the wrong way when I first saw Talons three or so years ago. This time, I was able to take it all with a grain of salt, and let me tell you - it was much more palatable this time.

The story is pretty much a love letter to Victorian-era literature. It has elements of Sherlock Holmes, Pygmalion (or My Fair Lady, if you prefer the musical version), Phantom of the Opera, and various Fu Manchu stories that fed into the stereotype of the Limehouse (Chinatown) area of Victorian London, not to mention a bit of Jack the Ripper. Taken as a nod to all these rolled into one, it's quite charming.

Categories: 

Pages

Subscribe to RSS - Four
Real Time Analytics